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Preaching and the facts of the Antichrist, detail, 1500-02 (fresco)
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Preaching and the facts of the Antichrist, detail, 1500-02 (fresco)
6262773 Preaching and the facts of the Antichrist, detail, 1500-02 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: The interior, Chapel Nova or St. Brizio Chapel, lunette of the west wall
Orvieto, Basilica Cattedrale di Santa Maria Assunta (o Duomo), interno, Cappella Nova o di San Brizio, lunetta della parete ovest: " Predica e fatti dell Anticristo", affresco di Luca Signorelli, (1500 - 1502). Particolare.); Ghigo Roli
Media ID 25148922
© Ghigo Roli / Bridgeman Images
Affresco Antichrist Arte Basilica Cattedrale Cattedrale Di S Cristianesimo Il Cinquecento Luca Signorelli Lunetta Lunette Maria Orvieto Pittura Religione Rinascimento Signorelli Luca 1450 1523 Umbria Xvi Secolo
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EDITORS COMMENTS
This photograph captures a mesmerizing detail of Luca Signorelli's fresco, "Preaching and the facts of the Antichrist" created between 1500-02. The artwork is housed in the Duomo (Cathedral of Santa Maria Assunta) in Orvieto, Umbria, Italy. The image showcases a lunette on the west wall of Chapel Nova or St. Brizio Chapel within the cathedral. Signorelli's masterful brushstrokes bring to life an intense scene depicting biblical events surrounding the Antichrist. The artist skillfully portrays religious figures engaged in fervent preaching while conveying their profound knowledge and understanding. Signorelli's attention to detail is evident as he meticulously renders each figure with precision and emotion. The composition exudes a sense of drama through dynamic poses, expressive gestures, and intricate facial expressions that captivate viewers' attention. The photographer Ghigo Roli has expertly captured this particular section of Signorelli's masterpiece, highlighting its rich colors and textures. Through his lens, we are transported into a world where art meets spirituality. This photograph serves as a testament to both Signorelli's artistic genius and Roli's photographic prowess. It invites us to delve deeper into the complexities of Renaissance art while appreciating its significance within religious contexts.
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