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The interior, Chapel Nova or Chapel of St. Brizio, Chapel of the Holy Bodies: "Lamentation of the Dead Christ"between the two saints of Orvieto (S. Parenzo on the right and S. Faustino on the left), by Luca Signorelli, 1500 - 1504. Detail

The interior, Chapel Nova or Chapel of St. Brizio, Chapel of the Holy Bodies: 'Lamentation of the Dead Christ'between the two saints of Orvieto (S. Parenzo on the right and S. Faustino on the left), by Luca Signorelli, 1500 - 1504. Detail


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The interior, Chapel Nova or Chapel of St. Brizio, Chapel of the Holy Bodies: "Lamentation of the Dead Christ"between the two saints of Orvieto (S. Parenzo on the right and S. Faustino on the left), by Luca Signorelli, 1500 - 1504. Detail

6262781 The interior, Chapel Nova or Chapel of St. Brizio, Chapel of the Holy Bodies: " Lamentation of the Dead Christ" between the two saints of Orvieto (S. Parenzo on the right and S. Faustino on the left), by Luca Signorelli, 1500 - 1504. Detail. by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: Orvieto, Basilica Cattedrale di Santa Maria Assunta (o Duomo), interno, Cappella Nova o Cappella di S. Brizio, Cappellina dei Corpi Santi: " Compianto di Cristo Morto" fra i due santi orvietani (S. Parenzo a destra e S. Faustino a sinistra), di Luca Signorelli, 1500 - 1504.di Luca Signorelli 1500 - 1504. Particolare.); Ghigo Roli

Media ID 25178768

© Ghigo Roli / Bridgeman Images

Affresco Arte Basilica Cattedrale Cattedrale Di S Cristianesimo Cristo Deposition Deposizione Dolore Gesu Il Cinquecento La Vergine Maria Mary Magdalene Signorelli Luca 1450 1523 The Virgin Mourning


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EDITORS COMMENTS
This print captures a mesmerizing detail of Luca Signorelli's masterpiece, "The Lamentation of the Dead Christ" found in the interior of the Chapel Nova or Chapel of St. Brizio in Orvieto, Italy. Painted between 1500 and 1504, this artwork showcases Signorelli's exceptional talent as a painter. In this particular detail, we see the lifeless body of Christ being mourned by two saints from Orvieto: S. Parenzo on the right and S. Faustino on the left. The profound grief and sorrow depicted on their faces evoke a deep emotional response within viewers. Signorelli's use of color and light adds depth to this scene, emphasizing both the physical weight of Christ's body and the spiritual significance behind his sacrifice. The artist masterfully captures every intricate detail with precision, showcasing his skillful brushwork. Located within the Duomo (Cathedral) of Santa Maria Assunta in Orvieto, this chapel is known for its stunning frescoes that depict various biblical scenes. This particular piece stands out for its ability to convey raw human emotion amidst religious symbolism. Ghigo Roli beautifully captured this moment through his lens, allowing us to appreciate Signorelli's artistic genius even more deeply. This print serves as a testament to both historical artistry and timeless beauty that continues to inspire awe centuries later.

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