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Studies for the Last Supper
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Studies for the Last Supper
3124795 Studies for the Last Supper by Sarto, Andrea del (1486-1530); (add.info.: Studies for the Last Supper in the refectory of the former convent of San Salvi in Florence, namely for the last three apostles to the left hand of Christ. Sanguine drawing.
Andrea del Sarto (1487-1531); Florentine School
Studien fAor das Abendmahl
Studien fAor das Abendmahl in dem Refektorium des ehemaligen Klosters San Salvi bei Florenz, und zwar fAor die letzten drei Apostel zur linken Hand Christi. RAotelzeichnung.
Handzeichnungen alter Meister aus der Albertina und anderen Sammlungen. Herausgegeben von Joseph SchAonbrunner und Dr. Joseph Meder. Wien, Gerlach & Schenk. Verlag fAor Kunst und Kunstgewerbe.); ePurix Verlag Volker Christen; Italian, out of copyright
Media ID 22969672
© Purix Verlag Volker Christen / Bridgeman Images
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EDITORS COMMENTS
This print showcases the intricate and thought-provoking "Studies for the Last Supper" by Andrea del Sarto. The artist, belonging to the Florentine School, created these studies specifically for the last three apostles positioned on the left side of Christ in the refectory of San Salvi convent in Florence. In this particular image, we are presented with a close-up view of one of Sarto's sanguine drawings. The use of this reddish-brown medium adds depth and warmth to his depiction, enhancing our connection to the subject matter. Delicately executed lines reveal meticulous attention to detail as each figure is brought to life under Sarto's skilled hand. The composition exudes a sense of reverence and solemnity that befits such a significant biblical event. Through these studies, Sarto explores various poses and expressions, capturing both individual personalities and collective emotions within this sacred gathering. As we gaze upon this print from Fine Art Finder, we are transported back in time to witness an intimate moment frozen forever on paper. It serves as a reminder not only of Andrea del Sarto's artistic genius but also of the enduring power and universal appeal of religious art throughout history.
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