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Noli me tangere. Polyptych of Mercy. (Painting on wood, 1445-1460)

Noli me tangere. Polyptych of Mercy. (Painting on wood, 1445-1460)


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Noli me tangere. Polyptych of Mercy. (Painting on wood, 1445-1460)

LRI4598402 Noli me tangere. Polyptych of Mercy. (Painting on wood, 1445-1460) by Francesca, Piero della (c.1415-92); Pinacoteca, Sansepolcro, Italy; (add.info.: Noli me tangere Polyptych de la Misericorde. Painting on wood from the school of Piero della Francesca (1415/20-1492) 1445-1460 Dim. 273x323 cm Sansepolcro, Pinacoteca Comunale); Luisa Ricciarini; Italian, out of copyright

Media ID 23016580

© Luisa Ricciarini / Bridgeman Images

Blonde Hair Resurrection Saint Mary Madeleine Aureole Quattrocento


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> Arts > Art Movements > Renaissance Art

> Arts > Artists > F > Piero della Francesca

> Arts > Artists > I > Italian School Italian School

> Arts > Artists > M > Mercier Mercier

> Europe > Italy > Paintings

> Fine Art Finder > Artists > Lorenzo di Bicci

> Fine Art Finder > Artists > Piero della Francesca

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art

> Italian renaissance art

> Renaissance art


EDITORS COMMENTS
This print showcases the exquisite "Noli me tangere. Polyptych of Mercy" painting by Piero della Francesca, a prominent artist from the Quattrocento period. Created between 1445 and 1460, this masterpiece is displayed at the Pinacoteca in Sansepolcro, Italy. The polyptych, painted on wood with meticulous attention to detail, measures an impressive 273x323 cm. It depicts a poignant biblical scene known as Noli me tangere or "Touch Me Not". In this momentous event, Jesus Christ appears to Saint Mary Magdalene after his resurrection. Piero della Francesca's artistic brilliance shines through in every brushstroke of this Renaissance artwork. The delicate aureole surrounding Jesus' head adds an ethereal touch to the composition while emphasizing his divinity. The blonde hair of Saint Mary Magdalene beautifully contrasts against her vibrant red robe. Luisa Ricciarini skillfully captures the essence and grandeur of this historic painting through her photography expertise. Her lens brings out the intricate details and rich colors that make this piece so remarkable. As we gaze upon this image, we are transported back in time to witness a pivotal moment in religious history. This print serves as a testament to both Piero della Francesca's mastery and Luisa Ricciarini's talent for capturing art's beauty through photography.

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