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L Assiette au Beurre, number 298, Satirique en couleurs, 1906_12_15: Automobile, Police - Lepine Louis (lithograph)
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L Assiette au Beurre, number 298, Satirique en couleurs, 1906_12_15: Automobile, Police - Lepine Louis (lithograph)
ICA4907856 L Assiette au Beurre, number 298, Satirique en couleurs, 1906_12_15: Automobile, Police - Lepine Louis (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 298, Satirique en couleurs, 1906_12_15: Automobile, Police - Lepine Louis - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25898554
© Caricadoc / Bridgeman Images
Assault Automobile Automobiles Automotive Broom Brooms Cars Cudgel Driver Dustpan And Brush Gear Lepine Louis 1846 1933 Shoot Caricadoc Defensive Weapon Infantry Weapon Transport Vehicle Years 1900
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EDITORS COMMENTS
This lithograph from 1906, titled "L Assiette au Beurre, number 298, Satirique en couleurs" captures a moment of political tension and social commentary in early 20th century France. The artist, Leal de Camara, skillfully depicts an intense scene involving an automobile and the police. In the image, we see a chaotic crowd gathered around a car that has come to a halt. A driver is being confronted by a police officer wielding a broom as if it were a weapon. This satirical portrayal highlights the power dynamics between law enforcement and civilians during this time period. The engraving showcases various elements that symbolize both violence and resistance. The body of the car itself becomes an emblem of authority while water splashing onto its surface adds to the sense of disorder. In contrast, onlookers armed with brooms suggest defiance against oppressive forces. The artwork offers insights into French culture and society at the turn of the century. It reflects tensions surrounding issues such as class struggle and political unrest. By using caricature-like figures and exaggerated gestures, Camara effectively conveys his message about power dynamics within society. This print serves as both historical documentation and artistic expression. Its intricate details invite viewers to delve into the complexities of early 20th-century France while appreciating Camara's talent for capturing satire through lithography.
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