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Death and youth

Death and youth


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Death and youth

3567272 Death and youth by Baldung Grien, Hans (1484/5-1545); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: ARTIST: Baldung, Grien Hans (1485-1545)
Date of Artwork: 1504-1545
Location: Florence, The Bargello National Museum); Finsiel/Alinari Archives - Reproduced with the permission of Ministero per i Beni e le Attivita Culturali

Media ID 23136838

© Finsiel/Alinari Archives - Reproduced with the permission of Ministero per i Beni e le Attività Culturali / Bridgeman Images

Abstract Concept And Symbol Concept Or Subject Expressed Death And The Maiden Functions And Treatments For The Body High Renaissance Hour Glass Hourglass Hourglasses Individual Museo Del Bargello Nude And Human Body Pain Physiological And Psychological Aspects Renaissance Baroque Styles And Periods Sand Glass Sandglass Time Time Measurement


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EDITORS COMMENTS
The captivating print of "Death and Youth" by Baldung Grien takes us on a journey through time, exploring the intricate relationship between life's fleeting nature and the eternal presence of death. This high Renaissance masterpiece, housed in the Museo Nazionale del Bargello in Florence, Italy, showcases the artistic brilliance of Hans Baldung. Created between 1504-1545, this artwork beautifully captures both physiological and psychological aspects of existence. The female figure depicted here stands as an allegory for youth and vitality while holding an hourglass, symbolizing the passage of time. The nude form represents vulnerability and mortality, reminding us that our physical bodies are subject to decay. Baldung skillfully combines elements from Renaissance and Baroque styles to convey his profound message. Through his masterful brushstrokes, he invites viewers to contemplate abstract concepts such as life's transience and the inevitability of death. This print not only serves as a portrait but also explores themes related to pain, European culture, and various treatments for the body throughout history. It is a testament to how art can transcend time by capturing universal human experiences. As we gaze upon this mesmerizing piece from Fine Art Finder's collection courtesy of Bridgeman Images, we are reminded that even amidst beauty lies an undeniable truth – that our mortal existence is intertwined with death itself.

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Wahibre Psamtik I, also known as Psammeticus or Psammetichus, 664-610 BC, King of the 26th Dynasty of Egypt. On the last day of a feast in Hephaestus temple the high priest brought out the golden phials for the libation, but counted wrongly and gave out eleven to the twelve kings therein assembled, Psammetichus who had not received a phial, removed his bronze helmet and poured the libation into it. The other kings remembering that the oracle had promised the sovereignty of all Egypt to whosoever should pour libations from a vessel of bronze exiled Psammetichus to the Nile delta marshes. From Cassells Universal History, published 1888; Illustration
Wahibre Psamtik I, also known as Psammeticus or Psammetichus, 664-610 BC, King of the 26th Dynasty of Egypt. On the last day of a feast in Hephaestus temple the high priest brought out the golden phials for the libation, but counted wrongly and gave out eleven to the twelve kings therein assembled, Psammetichus who had not received a phial, removed his bronze helmet and poured the libation into it. The other kings remembering that the oracle had promised the sovereignty of all Egypt to whosoever should pour libations from a vessel of bronze exiled Psammetichus to the Nile delta marshes. From Cassells Universal History, published 1888; Illustration
Melampus and the Centaur, 1919 (oil on canvas)
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