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Allegory of Death or Vanity Painting by Trophime Bigot (1579-1650) 17th century
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Allegory of Death or Vanity Painting by Trophime Bigot (1579-1650) 17th century
JLJ4572930 Allegory of Death or Vanity Painting by Trophime Bigot (1579-1650) 17th century. Rome, National Museum by Bigot, Trophime (c.1595-p.1650); Museo Nazionale, Rome, Italy; (add.info.: Allegory of Death or Vanity Painting by Trophime Bigot (1579-1650) 17th century. Rome, National Museum); Photo ePhoto Josse; French, out of copyright
Media ID 23335572
© Josse / Bridgeman Images
Allegorie Baroque Style Bougie Candle Crane Gleam Haughtiness Main Miroir Mort Orgueil Reflet Skull Vanita Art Vanite Art Peinture
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EDITORS COMMENTS
This print captures the essence of Trophime Bigot's "Allegory of Death or Vanity Painting" a masterpiece from the 17th century. The painting, housed in Rome's National Museum, is a striking example of Baroque style art. In this composition, we see a young woman standing before a mirror, her hand delicately holding a candle that casts an eerie glow on her face. Behind her reflection lies an intricate scene depicting death and vanity. A skull rests on top of books and symbols of wealth and power, reminding us of life's transient nature. The artist skillfully portrays the girl with haughtiness in her expression, symbolizing human arrogance and pride. The use of light and shadow adds depth to the painting while emphasizing its somber theme. Bigot's attention to detail is evident throughout; every brushstroke contributes to the overall narrative. This piece serves as both an allegory for mortality and a critique on society's obsession with superficiality. As we gaze upon this remarkable artwork through this high-quality print by Photo Josse, we are transported back in time to appreciate the talent and vision of Trophime Bigot. It serves as a reminder that even centuries later, his work continues to captivate viewers with its profound message about life's fleeting nature and our own vanities.
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