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Hippolytus, 1615 (engraving)
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Hippolytus, 1615 (engraving)
3480434 Hippolytus, 1615 (engraving) by Gaultier, Leonard (1561-1641); (add.info.: Hippolytus (Ancient Greek tragedy by Euripides), based on the myth of Hippolytus, son of Theseus. Plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenare, Paris, 1615. Engraving circa 1615, by Leonard Gaultier. Hippolytus got in his chariot to leave the kingdom, a bull roared out of the sea, frightening his horses, which dashed his chariot among the rocks, dragging Hippolytus behind.); Universal History Archive/UIG; French, out of copyright
Media ID 23629290
© Universal History Archive/UIG / Bridgeman Images
Ancient Greek Blaise De Vigenare Bull Chariot Deux Philostrates Sophistes Grecs Dramatist Euripides Greek Mythology Hippolytus Léonard Gaultier Les Images Ou Tableaux Playwriter Theseus Tragedian Tragedy Playwright
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EDITORS COMMENTS
This engraving, titled "Hippolytus, 1615" transports us back to the 17th century with its intricate details and dramatic depiction. Created by Leonard Gaultier, a French artist of that era, this print is based on the ancient Greek tragedy by Euripides. The image captures a pivotal moment in the myth of Hippolytus, son of Theseus. As he prepares to leave the kingdom in his chariot, an unexpected twist unfolds. A mighty bull emerges from the sea with a thunderous roar, startling Hippolytus's horses. In their frenzy, they veer off course and crash into treacherous rocks while dragging Hippolytus behind them. Gaultier masterfully conveys the intensity and chaos of this tragic event through his skillful engravings. The waves crashing against the rocks evoke a sense of danger and impending doom as we witness Hippolytus's fate sealed by forces beyond his control. This artwork originates from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs by Blaise de Vigenare published in Paris in 1615. It serves as a testament to both Gaultier's artistic prowess and his commitment to capturing timeless stories through visual means. As we gaze upon this remarkable piece, we are reminded not only of Greek mythology but also of humanity's eternal struggle against fate itself.
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