Mirror with dragon, cassia tree, and pavilion design, 11th-12th century (bronze)

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Mirror with dragon, cassia tree, and pavilion design, 11th-12th century (bronze)

5931008 Mirror with dragon, cassia tree, and pavilion design, 11th-12th century (bronze) by Korean School, (11th-12th century); Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Bronze, Diam x D: 21.5 x 1 cm (8 7/16 x 3/8 in)
11th-12th century); Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer; Korean, out of copyright

Media ID 25058474

© Freer Gallery of Art, Smithsonian Institution Gift of Charles Lang Freer / Bridgeman Images

Casting Goryeo Period 918 1392 Korea Mirror

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EDITORS COMMENTS
This bronze mirror, dating back to the 11th-12th century, showcases the exquisite craftsmanship of the Korean School during the Goryeo period. The intricate design features a mesmerizing dragon intertwined with a cassia tree and pavilion, creating a harmonious blend of nature and architecture. The dragon symbolizes power, wisdom, and good fortune in East Asian culture. Its presence on this mirror suggests that it was not only intended for practical use but also believed to bring luck and protection to its owner. The delicate depiction of the cassia tree adds an element of elegance and tranquility to the composition. The meticulous casting technique employed by skilled artisans is evident in every detail of this remarkable piece. From the scales on the dragon's body to the leaves on the cassia tree, each element is meticulously rendered with precision and finesse. Displayed at Freer Gallery of Art in Smithsonian Institution, USA, this mirror is a testament to Korea's rich artistic heritage. It serves as a window into an era where metalwork flourished as both functional objects and works of art. As we admire this ancient masterpiece today, we are reminded of how art transcends time and connects us with cultures long gone. This mirror stands as a testament to human creativity throughout history—a tangible link between past generations and our own appreciation for beauty in all its forms.

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