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Bowl, second half 15th or early 16th century (stoneware with white inlay under transparent glaze)

Bowl, second half 15th or early 16th century (stoneware with white inlay under transparent glaze)


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Bowl, second half 15th or early 16th century (stoneware with white inlay under transparent glaze)

5931040 Bowl, second half 15th or early 16th century (stoneware with white inlay under transparent glaze) by Korean school, (15th-16th century); 8.7x17.8x17.8 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Stoneware with white inlay under transparent glaze, H x W x D: 8.7 x 17.8 x 17.8 cm (3 7/16 x 7 x 7 in)
second half 15th or early 16th century); Freer Gallery of Art, Smithsonian Institution; Purchase - Charles Lang Freer Endowment; Korean, out of copyright

Media ID 25055158

© Freer Gallery of Art, Smithsonian Institution Purchase - Charles Lang Freer Endowment / Bridgeman Images

Bowl Buncheong Ware Clear Glaze Joseon Period 1392 1910 Korea Lotus Stoneware White Inlay Wwii Era Provenance


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EDITORS COMMENTS
This print showcases a stunning bowl from the second half of the 15th or early 16th century. Created by the Korean school, this exquisite piece is made of stoneware with white inlay under a transparent glaze. The dimensions of this remarkable artifact are 8.7x17.8x17.8 cm. Currently housed at the Freer Gallery of Art, Smithsonian Institution in the USA, this bowl is a true testament to Korean craftsmanship during the Joseon period (1392-1910). Its intricate design features delicate lotus motifs that add an air of elegance and tranquility. The use of stoneware and white inlay creates a striking contrast against the transparent glaze, highlighting every intricate detail on its surface. This particular style, known as buncheong ware, was highly popular during its time and continues to be admired for its timeless beauty. With its rich history and impeccable artistry, this bowl holds immense cultural significance. It serves as a window into Korea's artistic past and offers us a glimpse into their mastery of ceramics. Acquired through purchase by Charles Lang Freer Endowment, it stands as a symbol of preservation and appreciation for Asian art within one of America's most esteemed institutions. This photograph captures not only the physical beauty but also preserves an important part of our shared human heritage for generations to come.

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