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Interior cover sheet and text page from "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
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Interior cover sheet and text page from "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
1068615 Interior cover sheet and text page from "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich, Kazimir Severinovich (1878-1935); 17.8x26 cm; Dallas Museum of Art, Texas, USA; (add.info.: by Kazimir Severinovich Malevich); The Art Museum League Fund in honor of Mr. and Mrs. James H. Clark
Media ID 33087964
© The Art Museum League Fund in honor of Mr. and Mrs. James H. Clark / Bridgeman Images
Avant Garde Avantgarde Book Page Kazimir Malevich Malevich Kazimir Severinovich Suprematism Title Page Typeface Typographical Typography Unpopulated 1900 1910 Years 10 10s 1910 1919 1910 1919 Years 10 10s Art Style Mzprint Without Anyone Without People Years 1910 Years 10 Years Ten
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This print showcases an interior cover sheet and text page from "From Cubism and Futurism to Suprematism: A New Realism in Painting", a groundbreaking publication by Kazimir Severinovich Malevich. Created in 1916, this letterpress piece measures 17.8x26 cm and is currently housed at the Dallas Museum of Art in Texas, USA. The image features a close-up view of the typographical elements on the page, highlighting Malevich's innovative use of typeface and layout design. The black and white composition adds a sense of timeless elegance to the artwork, emphasizing its significance as a pivotal work from the early twentieth century. Malevich was a renowned Russian painter and artist who played a crucial role in shaping avant-garde movements such as suprematism. This art movement revolutionized traditional artistic conventions by focusing on geometric forms and abstract compositions. The title page serves as an introduction to Malevich's exploration of new realism in painting, offering viewers a glimpse into his visionary ideas that challenged conventional notions of art during that time period. With its bold typography and minimalist aesthetic, this print exemplifies Malevich's mastery of form and composition. It stands as both an important historical artifact from the early twentieth century art scene and an enduring testament to Malevich's influential contributions to modern art. Overall, this print captures not only the essence of Malevich's artistic vision but also represents a significant milestone within the avant-garde movement.
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