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The Holy Horse-Grass, 1822 (colour woodblock print)

The Holy Horse-Grass, 1822 (colour woodblock print)


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The Holy Horse-Grass, 1822 (colour woodblock print)

8603859 The Holy Horse-Grass, 1822 (colour woodblock print) by Hokusai, Katsushika (1760-1849); 40.3 x 27.7 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: The Holy Horse-Grass and other New Year's offerings, from All Things Horse, 1822, by Hokusai); Image © Ashmolean Museum, University of Oxford

Media ID 33105358

© © Ashmolean Museum, University of Oxford / Bridgeman Images

Amulet Charm Custom Habit Edo Period 1603 1868 Hokusai 1760 1849 New Years Day Offering Superstition Ukiyo E


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The Holy Horse-Grass, 1822

EDITORS COMMENTS
is a captivating colour woodblock print by the renowned Japanese artist Hokusai. This exquisite artwork, measuring 40.3 x 27.7 cm, is housed in the prestigious Ashmolean Museum at the University of Oxford. The image depicts The Holy Horse-Grass alongside other New Year's offerings from Hokusai's collection "All Things Horse". It showcases his mastery of ukiyo-e, an influential art movement during Japan's Edo period. Intriguingly, The Holy Horse-Grass holds great significance as an amulet and symbol of superstition in Japanese culture. Believed to bring good luck and ward off evil spirits, it serves as a charm for protection and prosperity. This vibrant print beautifully captures the essence of tradition and custom habit associated with New Year's Day celebrations in Japan. The meticulous attention to detail highlights Hokusai's artistic brilliance and his ability to infuse life into every stroke. As we delve into this mesmerizing artwork, we are transported back in time to experience the rich cultural heritage of Japan. Through its depiction of animals, plants, and objects used for offerings on this auspicious occasion, "The Holy Horse-Grass" offers us a glimpse into the deep-rooted traditions that have shaped Japanese society for centuries. Hokusai's legacy as an esteemed artist shines through this masterpiece, reminding us why he remains one of Japan's most celebrated figures in art history.

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