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Fuji from Kanaya on the Tōkaidō Road, 1831-1834 (colour woodcut)

Fuji from Kanaya on the Tōkaidō Road, 1831-1834 (colour woodcut)


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Fuji from Kanaya on the Tōkaidō Road, 1831-1834 (colour woodcut)

8603870 Fuji from Kanaya on the Tōkaidō Road, 1831-1834 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.4 x 55.7 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: To compensate for the absence of a bridge, porters transport passengers, traders and goods. The wealthiest travelers were transported in palanquins. The composition is based on a play of curves which respond to each other. The wavy, streaked and dotted lines recreate the violence of the current, the foam and the turbulence of the waves.
(Tōkaidō Kanaya no Fuji), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)); Image © Ashmolean Museum, University of Oxford

Media ID 33098256

© © Ashmolean Museum, University of Oxford / Bridgeman Images

Edo Period 1603 1868 Employment Hokusai 1760 1849 Mount Fuji Ukiyo E Volcano


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EDITORS COMMENTS
This print titled "Fuji from Kanaya on the Tōkaidō Road" by renowned artist Hokusai takes us back to 19th century Japan, immersing us in a scene of bustling activity and natural beauty. The composition showcases the iconic Mount Fuji as its centerpiece, towering majestically over a village nestled along the Tōkaidō Road. In this vibrant artwork, we witness porters laboriously transporting passengers, traders, and goods across the river due to the absence of a bridge. The wealthiest travelers are privileged to be carried in palanquins, symbolizing their social status. Hokusai's masterful use of curves creates a harmonious interplay between elements within the piece. The depiction of water is particularly striking; wavy lines convey the forcefulness of currents while streaks and dots represent foam and turbulence. This technique effectively captures both the power and serenity found in nature. As we explore this image further, our eyes are drawn to lush vegetation that surrounds the village, adding depth and tranquility to the overall landscape. Additionally, Mount Fuji stands tall in all its grandeur—a magnificent volcano that has long been revered as a symbol of Japan's cultural heritage. Hokusai's woodcut print belongs to his famous series "Thirty-six Views of Mount Fuji" which showcases his mastery in capturing different perspectives of this iconic landmark. With its rich colors and meticulous attention to detail, this artwork exemplifies ukiyo-e—an influential art movement during Japan's Edo period. Displayed at Ashmolean Museum in Oxford University (UK), this remarkable piece invites viewers into an enchanting world where trade routes intersect with natural wonders—a testament to Hokusai's enduring legacy as an exceptional artist.

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