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Virgin and Child Painting on wood by Ugolino di Nerio (or da Sienna
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Virgin and Child Painting on wood by Ugolino di Nerio (or da Sienna
JLJ4591851 Virgin and Child Painting on wood by Ugolino di Nerio (or da Sienna) (active between 1317 and 1327) 14th century Sun. 0, 69x0, 47 m. - The Virgin with the Child. Painting on wood by Ugolino di Nerio (or da Sienna) (active between 1317 and 1327), 14th century. 0.69 x 0.47 m. Louvre Museum, Paris by Ugolino di Nerio, (fl.1317-27); Louvre, Paris, France; (add.info.: Virgin and Child Painting on wood by Ugolino di Nerio (or da Sienna) (active between 1317 and 1327) 14th century Sun. 0, 69x0, 47 m. - The Virgin with the Child. Painting on wood by Ugolino di Nerio (or da Sienna) (active between 1317 and 1327), 14th century. 0.69 x 0.47 m. Louvre Museum, Paris); Photo ePhoto Josse; Italian, out of copyright
Media ID 22866442
© Josse / Bridgeman Images
Gold Background Trecento Veiled Woman
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EDITORS COMMENTS
This print showcases the exquisite "Virgin and Child" painting on wood by Ugolino di Nerio (or da Sienna), an Italian artist active between 1317 and 1327. Created in the 14th century, this artwork measures 0.69 x 0.47 m and is currently housed at the Louvre Museum in Paris. The painting depicts a veiled woman, believed to be the Virgin Mary, tenderly cradling her child, Jesus Christ. The artist's attention to detail is evident in their delicate features and expressive eyes, capturing a sense of maternal love and devotion. Set against a striking gold background, this trecento masterpiece exudes an aura of spirituality and reverence. The use of vibrant colors adds depth and richness to the composition, emphasizing its religious significance. Ugolino di Nerio's skillful brushwork reflects his mastery of the medium during this period of Italian art history. This piece exemplifies the artistic style prevalent in Italy during that time - characterized by its emphasis on naturalism combined with elements of Byzantine tradition. As we gaze upon this remarkable artwork captured through Josse's lens, we are transported back to a time when faith played a central role in people's lives. It serves as a testament to both the enduring power of religious iconography and Ugolino di Nerio's contribution to art history.
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