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Mih-Tutta-Hankush, a Mandan Village, plate 16 from Volume 2 of
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Mih-Tutta-Hankush, a Mandan Village, plate 16 from Volume 2 of
STC101393 Mih-Tutta-Hankush, a Mandan Village, plate 16 from Volume 2 of Travels in the Interior of North America, engraved by Friedrich Salathe (1793-1858) 1844 (aquatint) by Bodmer, Karl (1809-93) (after); Private Collection; The Stapleton Collection; Swiss, out of copyright
Media ID 22801942
© The Stapleton Collection / Bridgeman Images
Coracle Native American Indian Reservation
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EDITORS COMMENTS
The captivating print titled "Mih-Tutta-Hankush, a Mandan Village" transports viewers to the heart of North America's indigenous culture. Taken from Volume 2 of "Travels in the Interior of North America" this plate captures the essence and beauty of a Mandan village, engraved by Friedrich Salathe in 1844. Karl Bodmer, renowned for his depictions of Native American tribes, masterfully brings this scene to life through aquatint. The image showcases a picturesque landscape with a river flowing gently alongside the village. A native American coracle gracefully glides across the water, symbolizing their harmonious relationship with nature. This print offers an intimate glimpse into daily life within the reservation camp. The intricate details reveal traditional dwellings adorned with vibrant colors and tribal motifs. It is evident that community plays a central role as figures engage in various activities such as fishing or socializing near their homes. "Mih-Tutta-Hankush" serves as both an artistic masterpiece and historical documentation of Native American heritage during this era. Through Bridgeman Images' private collection, we have access to these invaluable records that shed light on cultures often overlooked or misrepresented. As we admire this remarkable piece, let us appreciate its significance in preserving and celebrating the rich tapestry of indigenous traditions that continue to shape North America today.
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