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Detail of an exterior panel of the Baptism of Christ, c. 1502-08 (oil on panel)

Detail of an exterior panel of the Baptism of Christ, c. 1502-08 (oil on panel)


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Detail of an exterior panel of the Baptism of Christ, c. 1502-08 (oil on panel)

489884 Detail of an exterior panel of the Baptism of Christ, c.1502-08 (oil on panel) by David, Gerard (c.1460-1523); Groeningemuseum, Bruges, Belgium; (add.info.: Also known as the Triptych of Jean des Trompes.
The triptych was commissioned by the treasurer of the city of Bruges, Jean des Trompes. The exterior panels show Madonna and Child and Jean des Trompe's first wife with St. Elizabeth.); © Art in Flanders

Media ID 28435074

© Art in Flanders / Bridgeman Images

Bunch Of Grapes Curtain Drapery


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> Fine Art Finder > Artists > Gerard David

> Fine Art Finder > Madonna & Child


EDITORS COMMENTS
This print showcases a mesmerizing detail of an exterior panel from the renowned artwork, "The Baptism of Christ" painted by Gerard David between 1502 and 1508. The oil on panel masterpiece is housed in the Groeningemuseum in Bruges, Belgium. In this particular section of the triptych, also known as the Triptych of Jean des Trompes, we are treated to a glimpse of divine beauty and symbolism. The central focus is on Madonna and Child, with Virgin Mary tenderly cradling baby Jesus in her arms. The artist's meticulous attention to detail is evident in every brushstroke that brings these sacred figures to life. Adjacent to them stands Jean des Trompes' first wife alongside St. Elizabeth, creating a harmonious composition that exudes grace and serenity. A delicate curtain drapes behind them while luscious fruits such as grapes adorn the foreground, symbolizing abundance and fertility. Through this exquisite painting captured by Bridgeman Images, viewers are transported back in time to witness a pivotal moment within Christian iconography—the baptism of Christ—depicted with remarkable skill and devotion by Gerard David. This print serves as a testament to both the artistic genius behind this Renaissance masterpiece and its enduring power to captivate audiences centuries later.

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