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Man in a white silk waistcoat, c. 1745-50 (oil on canvas)
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Man in a white silk waistcoat, c. 1745-50 (oil on canvas)
HEH416370 Man in a white silk waistcoat, c.1745-50 (oil on canvas) by Highmore, Joseph (1692-1780); 127x101.6 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA, USA; eHuntington Art Collections; eHuntington Library, Art Museum, and Botanical Gardens; English, out of copyright
Media ID 22922844
© Huntington Art Collections Huntington Library, Art Museum, and Botanical Gardens / Bridgeman Images
Hand On Hip Pompous Portly Powdered Wig Stout
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EDITORS COMMENTS
This portrait, titled "Man in a white silk waistcoat" transports us back to the mid-18th century. Painted by Joseph Highmore, a prominent English artist of that era, this oil on canvas masterpiece captures the essence of Georgian fashion and societal norms. The subject of the painting is an elderly gentleman exuding an air of confidence and self-assuredness. Dressed in a pristine white silk waistcoat, he epitomizes elegance and refinement. His powdered wig adds to his distinguished appearance while his hand rests casually on his hip, displaying a hint of nonchalant grandeur. Highmore's attention to detail is evident in every brushstroke; from the intricate folds and textures of the waistcoat to the subtle play of light on the subject's face. The three-quarter length composition allows us to appreciate not only his attire but also his stout physique - a symbol of prosperity during that period. As we gaze upon this remarkable piece housed at Huntington Library, Art Museum, and Botanical Gardens in San Marino, California, we are transported into an era marked by opulence and formality. This portrait serves as a window into history - reminding us of both the artistic brilliance prevalent during that time and providing insight into societal values through its portrayal of pompousness and stature. Joseph Highmore's "Man in a white silk waistcoat" remains timeless even after centuries have passed since its creation – truly capturing both our imagination and admiration for artistry from days gone by.
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