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The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
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The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench
995602 The Circle of the Falsifiers: Dante and Virgil Covering their Noses because of the Stench, Inferno, Canto XXIX, illustration to the Divine Comedy by Dante Alighieri, 1954 (engraving) by Blake, William (1757-1827) (after); 39.4x57.3 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: The Divine Comedy (Italian: Divina Commedia) is an epic poem written by Dante Alighieri between 1308 and his death in 1321. It is divided into three parts: Inferno, Purgatorio, and Paradiso.); eFitzwilliam Museum; English, out of copyright
Media ID 22248976
© Fitzwilliam Museum / Bridgeman Images
Alighieri Canto Circle Comedy Dante Divine Inferno Noses Purgatory Romanticism Romanticist Sinner Sinners Sins Smell Stench Underworld Virgil Falsifiers Fetid Xxix
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EDITORS COMMENTS
In this photo print, we are transported into the depths of Dante Alighieri's Inferno, specifically to the Circle of the Falsifiers. The scene depicts Dante and his guide Virgil covering their noses in disgust due to the overwhelming stench that permeates this particular circle of Hell. The image beautifully captures William Blake's engraving from 1954, illustrating one of the most memorable moments from Dante's Divine Comedy. As we delve into this epic poem, we witness a vivid portrayal of sinners being punished for their acts of deception and falsification. The composition exudes a sense of both horror and fascination as we observe these literary characters grappling with their sins in an underworld filled with fetid air. The romanticist style employed by Blake adds depth and emotion to the scene, emphasizing not only the physical discomfort but also the moral weight carried by these individuals. Through this powerful visual representation, we are reminded of the timeless themes explored within Dante's work - redemption, punishment, and ultimately divine justice. It serves as a testament to literature's ability to transport us beyond our reality and confront us with profound truths about human nature. This print is a testament to both artistic mastery and literary brilliance. It invites us to reflect on our own actions while immersing ourselves in an unforgettable journey through sin and salvation.
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