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The Birth of Galatea, c. 1885 (mezzotint on laid India paper)

The Birth of Galatea, c. 1885 (mezzotint on laid India paper)


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The Birth of Galatea, c. 1885 (mezzotint on laid India paper)

3725985 The Birth of Galatea, c.1885 (mezzotint on laid India paper) by Burne-Jones, Edward Coley (1833-98) (after); 35.6x27.6 cm; Private Collection; (add.info.: Engraved by Charles William Campbell (1855-87) from The Godhead Fires, the third Burne-Jones painting from the Pygmalion and the Image series (1868-70).
In this scene Galatea, the name given to the ivory statue carved by Pygmalion of Cyprus which comes to life in Greek mythology, is visited in the studio by Aphrodite (identified by doves and roses) who imparts life to her.
); By courtesy of Julian Hartnoll; English, out of copyright

Media ID 23621220

© courtesy of Julian Hartnoll / Bridgeman Images

Animated Dove Doves Females Intertwined Monochrome Pre Raphaelite Symbolic


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Columbiformes > Doves > Related Images

> Animals > Fishes > C > Coley

> Arts > Artists > B > Edward Bird

> Arts > Artists > B > Edward Coley Burne-Jones

> Arts > Artists > C > William Charles

> Arts > Artists > Edward Burne-Jones > Mythological art

> Arts > Artists > Edward Burne-Jones > Pre-Raphaelite art

> Arts > Artists > Edward Burne-Jones > Victorian era paintings

> Arts > Artists > Edward Burne-Jones

> Arts > Sculpture

> Fine Art Finder > Artists > Edward Coley (after) Burne-Jones

> Fine Art Finder > Artists > John William Godward


The Birth of Galatea, c. 1885

EDITORS COMMENTS
is a captivating mezzotint print on laid India paper that showcases the artistic brilliance of Edward Coley Burne-Jones. This exquisite artwork, measuring 35.6x27.6 cm, belongs to a private collection and holds immense historical significance. The image depicts a pivotal moment from Greek mythology's Pygmalion and the Image series, where Galatea, an ivory statue sculpted by Pygmalion of Cyprus, comes to life with the help of Aphrodite. The scene unfolds in Pygmalion's studio as Galatea is visited by the goddess herself, symbolized by doves and roses. Burne-Jones' attention to detail is evident in this monochrome masterpiece; every element conveys profound symbolism and beauty. The intertwined figures exude grace and elegance while their penetrating stares captivate viewers' imaginations. This print not only celebrates classical mythological themes but also exemplifies the Pre-Raphaelite movement prevalent during Burne-Jones' time. Its delicate portrayal of nudity explores notions of femininity and sensuality within Victorian society. Engraved by Charles William Campbell from "The Godhead Fires" this artwork represents a harmonious blend of sculpture and painting techniques that elevate it to an extraordinary level. "Birds" "mythology" "symbolism" "nudity" and "beauty" are just some keywords associated with this remarkable piece that continues to inspire

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