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Crossing the Threshold, the New Bride, 1886 (w / c)

Crossing the Threshold, the New Bride, 1886 (w  /  c)


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Crossing the Threshold, the New Bride, 1886 (w / c)

BON76698 Crossing the Threshold, the New Bride, 1886 (w/c) by Glindoni, Henry Gillard (1852-1913); 68.6x50.8 cm; Private Collection; Photo eBonhams, London, UK; English, out of copyright

Media ID 22683614

© Bonhams, London, UK / Bridgeman Images

Butler Caged Canary Footman Hall Imposing Nervous Panelled Servants Suit Daunting


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Crossing the Threshold, the New Bride, 1886

EDITORS COMMENTS
captures a moment of anticipation and apprehension as a young bride steps into her new life. Painted by Henry Gillard Glindoni in watercolor, this artwork measures 68.6x50.8 cm and is part of a private collection. The scene unfolds in an imposing hall with panelled walls that exude grandeur and tradition. The nervous bride stands at the threshold, clad in an elegant gown reminiscent of Victorian fashion. Her eyes betray a mix of excitement and trepidation as she prepares to enter her marital journey. In this intricate composition, Glindoni skillfully includes various elements that add depth to the narrative. A footman stands nearby, his armor symbolizing protection while also highlighting the formality surrounding marriage during that era. A caged canary perched on its stand serves as both decoration and metaphor for the bride's own feelings – simultaneously beautiful yet confined within societal expectations. A butler observes from afar, his presence adding an air of formality to the occasion. Servants move discreetly in the background, their role crucial yet almost invisible amidst this pivotal moment. Glindoni's masterful use of watercolors brings vibrancy to every brushstroke, capturing light and shadow with remarkable precision. This painting invites viewers to reflect on themes such as transition, transformation, and personal growth within societal constraints. As we gaze upon "Crossing the Threshold" we are transported back in time to

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