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Illustration of Achille Lemot (1846-1909) in Le Pelerin
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Illustration of Achille Lemot (1846-1909) in Le Pelerin
ICA4852617 Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/01/07 - Often good is born from evil - Armee, Religion Faith, Barracks, Military Service, Catholic Catholicism - Military Service cure, Laicisation Laicite Laiques Lois - Cures by Lemot, Achille (1846-1909); (add.info.: Illustration of Achille Lemot (1846-1909) in Le Pelerin, 20/01/07 - Often good is born from evil - Armee, Religion Faith, Barracks, Military Service, Catholic Catholicism - Military Service cure, Laicisation Laicite Laiques Lois - Cures); Photo eCaricadoc; French, out of copyright
Media ID 23817078
© Caricadoc / Bridgeman Images
Barrack Christendom Franc Masonry Laicite Military Service Mocking Caricadoc Catholic Religion Years 1900
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EDITORS COMMENTS
This print showcases an intriguing illustration of Achille Lemot, a prominent figure from the late 19th century. Published in Le Pelerin on January 20th, 1907, this artwork delves into the complex themes of good and evil within various aspects of society. The image depicts Lemot surrounded by symbols representing different facets of his life. The military barracks symbolize his involvement with the army and military service, while religious elements such as Catholicism highlight his connection to faith and religion. Additionally, references to laicisation and laicite suggest a deeper exploration of secularization and its impact on clergy members like Lemot. Through this thought-provoking composition, the artist conveys the idea that often good can emerge from evil circumstances. It invites viewers to contemplate how adversity can lead individuals towards positive transformations or actions. The engraving technique used in this illustration adds depth and texture to the artwork, enhancing its visual appeal. The caricature style employed here injects a touch of humor into an otherwise serious subject matter – mocking certain aspects of French society during that time period. Overall, this print offers a glimpse into Achille Lemot's multifaceted persona while encouraging reflection on broader societal dynamics related to religion, military service, and secularization in early 20th-century France.
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