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Portrait of a Lady, standing full length in a White Dress by a Piano

Portrait of a Lady, standing full length in a White Dress by a Piano


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Portrait of a Lady, standing full length in a White Dress by a Piano

651879 Portrait of a Lady, standing full length in a White Dress by a Piano, 1801 (pencil and watercolour heightened with white) by Buck, Adam (1759-1833); 35.6x26.4 cm; Private Collection; (add.info.: Portrait of a Lady, standing full length in a White Dress by a Piano. Adam Buck (1759-1833). Pencil and watercolour heightened with white. Dated 1801. 35.6 x 26.4cm.); Photo eChristies Images; English, out of copyright

Media ID 22426166

© Christie's Images / Bridgeman Images

072012upload 1800s 1801 18th Century Painting Active Adam Black Hair British Art British Art On Paper Buck Dark Hair Early 19th Century Early Nineteenth Century English Art English Artist Female Garment Finger Fingers Heightened Heightening Moving Pencil Pencil Drawing Physical Activity Piano Pianoforte Possibility Preparation Seating Using Hands Water Color Water Colour White Color Woman Alone Adam Buck Apparel Artist British British Artist Portrait Style Portraiture Positive Concepts Young Woman


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> Arts > Artists > B > Adam Buck

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> Arts > Still life artwork > Watercolor paintings > Fine art

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> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Pencil drawings > Fine art

> Arts > Realistic drawings > Pencil drawings > Portrait drawings

> Arts > Realistic drawings > Portrait drawings > Fine art

> Arts > Watercolor paintings

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> Fine Art Finder > Artists > John Laporte

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EDITORS COMMENTS
This portrait captures the elegance and grace of a lady standing full length in a white dress by a piano. Painted by Adam Buck in 1801, this exquisite piece showcases his mastery of pencil and watercolor techniques, heightened with delicate touches of white. The artist's attention to detail is evident in every stroke, from the intricate folds of the woman's garment to the subtle shading that brings her features to life. The subject exudes an air of sophistication as she stands confidently beside the grand piano. Her black hair cascades down her shoulders, framing her serene face and adding depth to the composition. The soft lighting highlights her delicate features and creates a sense of intimacy within the scene. The piano itself serves as both a decorative element and a symbol of music's influence on society during this time period. It hints at the lady's refined taste and suggests that she may be musically inclined herself. Buck's portrayal captures not only physical likeness but also conveys movement through his skillful use of lines and brushstrokes. This dynamic quality adds energy to an otherwise static pose, making it feel as though we have caught this lady mid-action. Overall, this stunning artwork exemplifies British artistry from the early 19th century while showcasing Buck's talent for capturing beauty in its purest form. It invites viewers into a world where elegance reigns supreme, leaving us captivated by its timeless allure.

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Adelaide de Gueidan and his sister at the harpsichord: Adelaide (1725-1786) and her sister Catherine (1726-1759) are members of a large Provencal family. They are surrounded by musical angels. 1735-1740. Oil On Canvas by Claude Arnulphy (1697-1786)
Adelaide de Gueidan and his sister at the harpsichord: Adelaide (1725-1786) and her sister Catherine (1726-1759) are members of a large Provencal family. They are surrounded by musical angels. 1735-1740. Oil On Canvas by Claude Arnulphy (1697-1786)

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