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John Fisher, Bishop of Rochester, c.1760 (engraving)

John Fisher, Bishop of Rochester, c.1760 (engraving)


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John Fisher, Bishop of Rochester, c.1760 (engraving)

7342123 John Fisher, Bishop of Rochester, c.1760 (engraving) by Houbraken, Jacobus (1698-1780); 44.1x28.4 cm; National Maritime Museum, London, UK; (add.info.: Creator: Hans Holbein; Jacobus Houbraken
Half-length portrait of John Fisher, Bishop of Rochester by Jacobus Houbraken after Hans Holbein. The sitter is represented within a baroque cartouche surmounted by St Peter's keys. Below, a putto is holding a Galero (a broad-brimmed tasselled hat worn by cardinals as a crown symbolizing the title of Prince of the Church); the sitter's mitre is depicted on the left-hand side; his severed head and an axe are shown in the foreground. John Fisher became Bishop of Rochester and Chancellor of Cambridge University in 1504. Opposed to Henry VIII's divorce, he was imprisoned along with Sir Thomas More and beheaded on 22 June 1535.); © National Maritime Museum, Greenwich, London

Media ID 38177250

© © National Maritime Museum, Greenwich, London / Bridgeman Images

18th Century Fashion 18th Mode Bishop Bishops Eighteenth Century Clothes


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Passerines > Cardinals And Grosbeaks > Northern Cardinal

> Arts > Artists > H > Jacobus Houbraken

> Arts > Artists > H > Thomas Hand

> Arts > Artists > H > Thomas Henry

> Arts > Artists > J > John June

> Arts > Artists > K > Henry Key

> Arts > Artists > W > John White

> Europe > United Kingdom > England > London > Boroughs > Greenwich

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Museums > British Museum

> Fine Art Finder > Artists > Jacobus Houbraken

> Fine Art Finder > Artists > John Jabez Edwin Paisley (after) Mayall


EDITORS COMMENTS
This stunning engraving captures the likeness of John Fisher, Bishop of Rochester, in exquisite detail. Created around 1760 by Jacobus Houbraken after a work by Hans Holbein, this portrait showcases the bishop within a baroque cartouche adorned with St Peter's keys. A putto holds a Galero above him, symbolizing his status as Prince of the Church. Intriguingly, the bishop's mitre is depicted on one side while his severed head and an axe lie in the foreground—a poignant reminder of his tragic fate. Fisher was known for his opposition to Henry VIII's divorce and was ultimately imprisoned alongside Sir Thomas More before being beheaded in 1535. The intricate details captured in this engraving offer a glimpse into the life and legacy of this courageous clergyman from the early 16th century. His steadfast beliefs and unwavering commitment to his principles shine through in this portrait, making it a powerful testament to his enduring influence. Displayed at the National Maritime Museum in London, this print serves as both a historical artifact and a work of art that continues to captivate viewers centuries after its creation. It stands as a tribute to John Fisher's unwavering faith and sacrifice for what he believed was right.

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