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Adoration of the Shepherds (after cleaning, before restoration) 1510 (oil on canvas)
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Adoration of the Shepherds (after cleaning, before restoration) 1510 (oil on canvas)
3250821 Adoration of the Shepherds (after cleaning, before restoration) 1510 (oil on canvas) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); 124.2x161.3 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: After all previous restorations had been removed and before the latest restoration had begun); eFitzwilliam Museum; Italian, out of copyright
Media ID 23111004
© Fitzwilliam Museum / Bridgeman Images
Adoration Bethlehem Birth Delight High Joseph Pre Restoration Reverence Shepherd Shepherds Stable Testament
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EDITORS COMMENTS
This print captures the "Adoration of the Shepherds" by Sebastiano del Piombo, just after it underwent a meticulous cleaning process but before any restoration work began. Painted in 1510, this oil on canvas masterpiece measures an impressive 124.2x161.3 cm and is housed at the prestigious Fitzwilliam Museum in the University of Cambridge, UK. The image showcases a serene scene set against a stunning Italian landscape backdrop. The birth of Jesus Christ takes center stage as shepherds from Bethlehem gather around with reverence and awe. Mary, Joseph, and baby Jesus are depicted in all their glory within a humble stable. Before undergoing its latest restoration, all previous attempts to preserve this remarkable Renaissance artwork were carefully removed. This photograph allows us to appreciate the painting's original state while highlighting its intricate details and vibrant colors that have been revived through careful cleaning. As we gaze upon this pre-conservation image, we cannot help but feel delight at witnessing such an iconic moment from Christian history come alive once again. The adoration shown by both humans and animals alike serves as a testament to the profound impact of faith and religion throughout time. This print not only captures a significant religious event but also offers viewers an opportunity to marvel at Sebastiano del Piombo's mastery in portraying emotion through his brushstrokes. It is truly a treasure preserved for generations to come thanks to dedicated conservation efforts by institutions like the Fitzwilliam Museum.
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