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Afghan spectacles and case, 1879 circa (glass, wire and papier-mache)
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Afghan spectacles and case, 1879 circa (glass, wire and papier-mache)
5924228 Afghan spectacles and case, 1879 circa (glass, wire and papier-mache) by Afghan School, (19th century); National Army Museum, London; (add.info.: Afghan spectacles and case, 1879 circa.
Spectacles of glass and wire, case made of papier-mAchA©.
This curious souvenir was acquired by Edward Orford Kelly, a soldier in the 25th Regiment of Foot (Kings Own Borderers). The regiment was stationed in the Khyber Pass throughout the 2nd Afghan War (1878-1880) and took part in various operations to protect the vital lines of communication with India.); eNational Army Museum; Afghan, out of copyright
Media ID 23572868
© National Army Museum / Bridgeman Images
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EDITORS COMMENTS
This print showcases a pair of Afghan spectacles and their accompanying case, dating back to 1879. Crafted with glass, wire, and papier-mâché, these spectacles offer a glimpse into the intricate craftsmanship of the Afghan School in the 19th century. The unique history behind this artifact adds an intriguing layer to its significance. Acquired by Edward Orford Kelly, a soldier in the 25th Regiment of Foot (King's Own Borderers), during his time stationed in the Khyber Pass throughout the Second Afghan War (1878-1880). These spectacles were not only a practical tool but also served as a curious souvenir from his experiences. During this tumultuous period, protecting vital lines of communication with India was paramount for British forces. The regiment participated in various operations aimed at safeguarding these crucial connections. As such, these spectacles symbolize both functionality and historical context. Preserved within the National Army Museum in London, this print allows us to appreciate not only the artistic value but also serves as a reminder of past conflicts and cultural exchanges between nations. It is through artifacts like these that we can gain insights into different eras and understand how objects can transcend their utilitarian purpose to become tangible links to our shared human history.
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