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Perdita c. 1866 (oil on panel)

Perdita c. 1866 (oil on panel)


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Perdita c. 1866 (oil on panel)

Ma88157 Perdita c.1866 (oil on panel) by Sandys, Anthony Frederick Augustus (1829-1904); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Media ID 23350194

© The Maas Gallery, London / Bridgeman Images

Auburn Bloom Blossom Blossoming Heroine Red Hair Shepherdess The Winters Tale Pre Raphaelite


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> Arts > Artists > S > Anthony Frederick Augustus Sandys

> Arts > Still life artwork > Oil paintings > Floral artwork

> Europe > United Kingdom > England > London > Art > Paintings

> Fine Art Finder > Artists > Anthony Frederick Augustus Sandys

> Fine Art Finder > Artists > John Anster Fitzgerald

> Fine Art Finder > Pre-raphaelites & Neo-classical


Perdita c. 1866 - A Captivating Portrait of a Pre-Raphaelite Heroine

EDITORS COMMENTS
. In this mesmerizing oil painting, titled "Perdita c. 1866". Anthony Frederick Augustus Sandys transports us to the enchanting world of the Pre-Raphaelite era. The captivating image showcases a young shepherdess, her auburn locks cascading down her shoulders like fiery waves. Dressed in a delicate gown adorned with blossoms and flowers, Perdita exudes an ethereal beauty that captures our imagination. Her piercing gaze draws us in as we are captivated by the depth of emotion reflected in her eyes. The rich red hues of her hair perfectly complement the vibrant blooms surrounding her, creating a harmonious symphony of colors that evokes feelings of warmth and vitality. As we admire every brushstroke on this panel masterpiece, it becomes evident that Sandys was not only an artist but also a storyteller. Inspired by Shakespeare's play "The Winter's Tale". Sandys brings Perdita to life with his meticulous attention to detail and his ability to capture nature's essence through botanical elements. Each flower delicately painted represents not only Perdita's connection with nature but also symbolizes growth, renewal, and blooming possibilities. This exquisite piece invites us into its world where art intertwines seamlessly with botany and natural history. It serves as a testament to the power of painting as both an artistic expression and scientific exploration. As we gaze upon

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