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The Cession of the District of Matavai in the island of Otaheite (Tahiti) to Captain James Wilson, 1798-99 (oil on canvas)
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The Cession of the District of Matavai in the island of Otaheite (Tahiti) to Captain James Wilson, 1798-99 (oil on canvas)
7295686 The Cession of the District of Matavai in the island of Otaheite (Tahiti) to Captain James Wilson, 1798-99 (oil on canvas) by Smirke, Robert (1752-1845); 214.5x305.5x3.4 cm; National Maritime Museum, London, UK; (add.info.: Commissioned by the Directors of the London Missionary Society (LMS) this painting records the arrival of British missionary activity in the Pacific. It was presented to Captain James Wilson by the Directors of the LMS in recognition of his service as commander of the 'Duff', the Society's ship that carried the first thirty missionaries to the 'South Seas' (Tahiti, Tongatapu and the Marquesas).); © National Maritime Museum, Greenwich, London
Media ID 38515800
© © National Maritime Museum, Greenwich, London / Bridgeman Images
Appointment Date Dom Tom Encounter French Polynesia Indigenous People Indigineous Meetings Mission Native People Oil Painting Polynesia Polynesians Polynesisch Tahiti 18th Centuries Inhabitant Natives Religious Role
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EDITORS COMMENTS
The painting "The Cession of the District of Matavai in the island of Otaheite (Tahiti) to Captain James Wilson, 1798-99" by Robert Smirke captures a significant moment in history when British missionary activity first arrived in the Pacific. Commissioned by the Directors of the London Missionary Society, this artwork symbolizes the spread of Christianity to distant lands.
In this scene, we see Captain James Wilson being presented with the district of Matavai as a token of appreciation for his service as commander of the 'Duff', which carried thirty missionaries to Tahiti, Tongatapu, and the Marquesas. The painting highlights themes of colonialism and religious expansion during the 18th century.
The vibrant colors and intricate details bring this historical event to life, showcasing European influence on indigenous cultures. The figures depicted - priests, clergy members, and missionaries - represent different aspects of religious orders working together towards a common goal.
As we gaze upon this masterpiece at the National Maritime Museum in London, we are reminded of how art can preserve moments from our past and spark conversations about cultural exchange and imperialism. It serves as a reminder that history is not just about dates and facts but also about human experiences and connections across borders.
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