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Magdala (Majdal Shams). Etching by Bernatz et alii - Steinkopk J. F. Editore
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Magdala (Majdal Shams). Etching by Bernatz et alii - Steinkopk J. F. Editore
3572485 Magdala (Majdal Shams). Etching by Bernatz et alii - Steinkopk J.F. Editore by Bernatz, Johann Martin (1802-1878); (add.info.: Note: Fac-Simile preserved in the Biblioteca della Stamperia d Arte Fratelli Alinari
ARTIST: Bernatz, J. M. et alii
Date of Artwork: 1837); Alinari Archives, Florence
Media ID 23640562
© Alinari Archives, Florence / Bridgeman Images
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Magdala (Majdal Shams) - A Glimpse into the Past
EDITORS COMMENTS
. This print takes us back to the enchanting world of Magdala, also known as Majdal Shams, in the nineteenth century. The etching by Bernatz and his colleagues beautifully captures the essence of this historic city nestled amidst breathtaking landscapes. The image showcases a picturesque view of Magdala, with its ancient ruins harmoniously blending into the natural surroundings. Lush vegetation and towering trees frame the scene, creating a serene ambiance that transports us to a time long gone. In this idyllic setting, we catch a glimpse of daily life in rural Europe during the 1800s. A shepherd tends to his flock of sheep while nearby farmers work diligently on their land. The farm buildings dotting the landscape stand as testaments to human perseverance and dedication. The artwork not only celebrates nature's beauty but also highlights humanity's deep connection with it. It serves as a reminder of our reliance on farming and country life for sustenance and survival. Through intricate engravings, Bernatz masterfully brings together elements from various disciplines - art, botany, natural history - showcasing both scientific methods and artistic expression. This fusion creates an exquisite piece that appeals to both lovers of fine art and enthusiasts of scientific exploration. As we gaze upon this remarkable print preserved in Alinari Archives in Florence today, we are transported back in time; captivated by Magdala's charm and inspired
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