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Portrait presumed to be Johann Sebastian Bach, 1717-23 (oil on canvas)

Portrait presumed to be Johann Sebastian Bach, 1717-23 (oil on canvas)


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Portrait presumed to be Johann Sebastian Bach, 1717-23 (oil on canvas)

XPH51450 Portrait presumed to be Johann Sebastian Bach, 1717-23 (oil on canvas) by Rentsch, Johann Ernst (fl.early 18th century); Angermuseum, Erfurt, Germany; (add.info.: Johann Sebastian Bach (1685-1750) German composer.
An unsigned portrait generally assumed to be of Bach and probably painted between 1708 and 1717, when he was living in Weimar.); German, out of copyright

Media ID 12916997

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EDITORS COMMENTS
This portrait, presumed to be Johann Sebastian Bach, exudes an air of timeless elegance and artistic genius. Painted by Johann Ernst Rentsch in the early 18th century, this oil on canvas print captures the essence of one of history's greatest composers. The unidentified artist skillfully portrays Bach with meticulous attention to detail. The stern expression on his face hints at the intensity and passion that characterized his music. Dressed in a formal attire adorned with a necktie, he emanates an aura of sophistication and refinement. Believed to have been created between 1708 and 1717 during Bach's time in Weimar, this unsigned masterpiece offers a rare glimpse into the life of the musical prodigy. It serves as a visual testament to his immense talent and enduring legacy. Displayed at Angermuseum in Erfurt, Germany, this portrait is not only a celebration of Bach's contribution to classical music but also an exploration into the world of baroque artistry. Its presence invites viewers to immerse themselves in the rich cultural heritage that shaped Europe during that era. As we gaze upon this remarkable image, we are reminded of Bach's profound impact on music composition and his ability to transcend time through his melodies. This print serves as both a tribute to his brilliance as well as an invitation for us all to appreciate the beauty found within artistic masterpieces from centuries past.

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