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Portrait medallion of Erasmus (1465 / 6-1530), reverse depicting a head of Terminus
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Portrait medallion of Erasmus (1465 / 6-1530), reverse depicting a head of Terminus
FIT209382 Portrait medallion of Erasmus (1465/6-1530), reverse depicting a head of Terminus, 1519 (bronze) (reverse) by Massys or Metsys, Quentin (c.1466-1530); diameter: 10.6 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: Contemplate the end of a long life, Death is the ultimate boundary of things ; ); eFitzwilliam Museum; Netherlandish, out of copyright
Media ID 22815936
© Fitzwilliam Museum / Bridgeman Images
Cast Desiderius Northern Renaissance
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The portrait medallion of Erasmus, created by Massys or Metsys in 1519, is a captivating piece that offers a glimpse into the life and legacy of this influential figure. The front side showcases the distinguished features of Erasmus, capturing his intellect and wisdom through intricate details. However, it is the reverse side that truly captivates viewers. Depicting a head of Terminus, this bronze masterpiece forces us to confront our mortality and contemplate the inevitable end of life. Terminus represents the ultimate boundary – death itself. As we gaze upon this haunting image, we are reminded that no matter how accomplished or revered one may be in their lifetime, they too will face this final destination. Measuring at just 10.6 cm in diameter, this small yet powerful artwork resides within the prestigious Fitzwilliam Museum at the University of Cambridge in the UK. Its presence demands attention and invites reflection on our own existence. This Netherlandish creation from the Northern Renaissance era serves as an allegory for boundaries - both physical and metaphorical - reminding us that there are limits to everything in life. It urges us to ponder what lies beyond those boundaries and encourages contemplation about our purpose and legacy. As we observe Erasmus' portrait medallion with its thought-provoking reverse side depicting Terminus, we are compelled to embrace each moment with intentionality while considering what mark we wish to leave behind when faced with our own ultimate boundary: death.
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