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Apocalypse Tapestry, Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille. no 9, L ange vide son ascensoir, 1373-1380 (textile)
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Apocalypse Tapestry, Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille. no 9, L ange vide son ascensoir, 1373-1380 (textile)
7208104 Apocalypse Tapestry, Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille. no 9, L ange vide son ascensoir, 1373-1380 (textile) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers, France; (add.info.: Chateau d Angers, Pays de la Loire, Maine-et-Loire, France. The museum of tapestries.); © Paul Maeyaert
Media ID 24726746
© Paul Maeyaert / Bridgeman Images
Apocalypse Auvergne Rhone Alpes Backcloth End Of The World Loire 42 Loire Region Madieval Maine Et Loire Maine Et Loire 49 Pays De La Loire Pays De Loire Rhone Alpes 1300s 14 14o Xiv Xivo Secolo 14 14th Xiv Xivth Century 14 Century Fourteenth Century Items Late 14th Century Late Middle Age Medieval Period Middles Ages Tapestries The 14th Century Thing Xiv Century Xiv Secolo Xivth Century
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EDITORS COMMENTS
This print showcases the "Apocalypse Tapestry, Cartons of the painter Hennequin de Bruges" atelier Nicolas Bataille. The tapestry, dating back to 1373-1380, is a remarkable piece of art that depicts various scenes from the Book of Revelation in vivid detail. In this particular panel titled "L ange vide son ascensoir" we see an angel emptying his censer, symbolizing purification and cleansing. The intricate textile work and vibrant colors bring life to this medieval masterpiece. Displayed at the Musee des Tapisseries in Angers, France, this tapestry is a testament to the rich artistic heritage of Europe during the Middle Ages. It serves as a visual representation of Christian beliefs and values prevalent during that time. The print captures not only the beauty and complexity of this artwork but also provides insight into its historical significance. It transports us back to a bygone era when religious narratives were intricately woven into society's fabric. As we admire this stunning image, we are reminded of how art can transcend time and connect us with our cultural roots. It serves as a reminder that even amidst chaos or uncertainty (as depicted in apocalyptic themes), there is always room for beauty and creativity to flourish. Paul Maeyaert's skillful photography allows us to appreciate every intricate detail while preserving its essence for future generations.
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