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193-0082105 Two of a kind, possibly Queen Maria Luisa Teresa of Parma (1751-1819) and Manuel de Godoy (1767-1851), the Prime Minister of Spain, plate 5 of Los caprichos, pub. 1799 (etching)
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193-0082105 Two of a kind, possibly Queen Maria Luisa Teresa of Parma (1751-1819) and Manuel de Godoy (1767-1851), the Prime Minister of Spain, plate 5 of Los caprichos, pub. 1799 (etching)
IND81624 Two of a kind, possibly Queen Maria Luisa Teresa of Parma (1751-1819) and Manuel de Godoy (1767-1851), the Prime Minister of Spain, plate 5 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 20x15.1 cm; Private Collection; Index Fototeca
Media ID 25897260
© Index Fototeca / Bridgeman Images
Adultery Chaperone Francisco De Goya Francisco Jose De 1746 1828 Francisco José De Goya Y Lucientes Goya Goya Francisco De 1746 1828 Goya Y Lucientes Rendezvous Social Criticism Lovers
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EDITORS COMMENTS
This print captures a moment of intrigue and scandal, possibly depicting Queen Maria Luisa Teresa of Parma and Manuel de Godoy, the Prime Minister of Spain. The etching is part of Francisco Jose de Goya y Lucientes' renowned series "Los caprichos" published in 1799. Measuring 20x15.1 cm, this satirical engraving showcases Goya's mastery in social criticism. The image portrays a clandestine rendezvous between two lovers, with an air of secrecy and forbidden passion. A chaperone discreetly observes from the background, adding an element of tension to the scene. The couple's identities are suggested but not explicitly confirmed, leaving room for speculation and interpretation. Goya's artistry shines through his meticulous attention to detail; every stroke tells a story. The use of a fan as a symbol adds depth to the narrative – it could represent flirtation or concealment. This piece exemplifies Goya's ability to capture human emotions and societal issues through his artwork. His works often challenged conventions and shed light on hidden truths within Spanish society during that era. As we delve into this historical masterpiece, we are transported back to late 18th-century Europe – a time when artists like Goya pushed boundaries with their thought-provoking creations. This particular print serves as both an artistic treasure and a window into the complexities of human relationships during that period.
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