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Pithead and Railway, 1840 (pen with wash on paper)
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Pithead and Railway, 1840 (pen with wash on paper)
7389715 Pithead and Railway, 1840 (pen with wash on paper) by Carmichael, John Wilson (1800-68) (after); 26x38 cm; Ironbridge Gorge Museum Trust, Telford, Shropshire, UK; (add.info.: Arist: James Wilson Carmichael (1799-1868)
Night scene of horse-drawn covered waggon passing over road bridge over a railway line; colliery and pithead in background); © Elton Collection, Ironbridge Gorge Museum Trust
Media ID 32013954
© Elton Collection, Ironbridge Gorge Museum Trust / Bridgeman Images
Manual Worker Minings Moonlight Railroad Rural Landscape Train Rail Victorian Style Laborer Labourer Several People Several Persons Townhouse Townhouses Tradesman Tradesmen
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EDITORS COMMENTS
This 19th-century print titled "Pithead and Railway, 1840" by John Wilson Carmichael depicts a mesmerizing night scene in the countryside. The artwork showcases a horse-drawn covered wagon passing over a road bridge that spans across a railway line. In the background, we can see the colliery and pithead, adding an industrial touch to the rural landscape. The artist's use of pen with wash on paper creates a beautiful contrast between light and dark tones, emphasizing the moonlit ambiance of the scene. The moon shines brightly above, casting its ethereal glow upon the surroundings. As we observe this piece closely, it becomes evident that Carmichael masterfully captures not only the physical elements but also conveys a sense of tranquility amidst bustling activity. The townhouses nestled nearby serve as reminders of human habitation within this serene setting. This artwork is part of the Elton Collection at Ironbridge Gorge Museum Trust in Telford, Shropshire, UK. It offers us a glimpse into an era when horses were essential for transportation and railways were emerging as symbols of progress. "Pithead and Railway" invites viewers to appreciate both nature's beauty and mankind's ingenuity during this transformative period in history. This print serves as an enduring testament to Carmichael's artistic talent while providing insight into life in 19th-century Britain.
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