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A dragon eating a man, carved capital of the chancel

A dragon eating a man, carved capital of the chancel


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A dragon eating a man, carved capital of the chancel

LRI4722779 A dragon eating a man, carved capital of the chancel by Gofridus, (12th century); St. Pierre, Chauvigny, France; (add.info.: Romanesque art: " A dragon eating a man, capital of the chancel by Gofridus, 12th century Church St Peter of Chauvigny (Vienna)); Luisa Ricciarini

Media ID 25171930

© Luisa Ricciarini / Bridgeman Images

12 12th Xii Xiith Century 12 Century Bas Reliefs C12th Chestle Dragon Imaginary Character Romanesque Style Twelfth Century Vienna 86 Wooden Carving Xii Century Xiith Century 12 12th 12th Xii 12th 13th Century 13 13th Xiii Xiiith Century 13 Century C13th Daguerrotype Monster Photography Art Thirteenth Century Xiii Century Xiiith Century


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EDITORS COMMENTS
This print captures the intricate details of a carved capital in the chancel of St. Pierre, Chauvigny, France. Created by Gofridus in the 12th century, this Romanesque masterpiece depicts a fearsome dragon devouring a helpless man. The artist's skill is evident in every stroke, as he brings to life an imaginary creature with menacing claws and sharp teeth. The contrast between the monstrous dragon and the vulnerable human creates a sense of drama and tension within the artwork. The carving showcases not only Gofridus' technical prowess but also his ability to convey emotion through stone. The medium age aesthetic is enhanced by Luisa Ricciarini's photography artistry, which beautifully captures the colors and textures of this ancient wooden carving. The rich hues add depth and dimension to the image, allowing viewers to appreciate every intricacy of Gofridus' work. As we gaze upon this remarkable piece from centuries past, we are reminded of the enduring power of art to transport us through time. It serves as a testament to human creativity and imagination across generations. Luisa Ricciarini's photograph preserves this historical treasure for future generations to admire and study. Through her lens, we can explore not only the physicality but also the emotional impact that such masterpieces have on our collective consciousness.

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