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The old man also says the old man in the hat or the old man in the fly
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The old man also says the old man in the hat or the old man in the fly
JLJ4686028 The old man also says the old man in the hat or the old man in the fly. Painting by Georges De La Tour (1593-1652), 1636. Oil on canvas. Dim: 1, 62 x 1, 05m. Nantes, Museum of Fine Arts by Tour, Georges de la (1593-1652); Musee des Beaux-Arts, Nantes, France; (add.info.: The old man also says the old man in the hat or the old man in the fly. Painting by Georges De La Tour (1593-1652), 1636. Oil on canvas. Dim: 1, 62 x 1, 05m. Nantes, Museum of Fine Arts); Photo ePhoto Josse; French, out of copyright
Media ID 22844290
© Josse / Bridgeman Images
Alcoholism Beggar Birdsong Blind Cape Chanson Misery Old Man Pauper Singer Street Musician Street Trade
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EDITORS COMMENTS
This print showcases Georges De La Tour's renowned painting, "The old man also says the old man in the hat or the old man in the fly". Created in 1636, this oil on canvas masterpiece measures 1.62 x 1.05 meters and is currently housed at the Museum of Fine Arts in Nantes, France. The painting depicts an elderly man dressed in a tattered cape and wearing a distinctive hat. He holds a musical instrument, perhaps symbolizing his life as a street musician. The artist skillfully captures the essence of human misery and poverty through this poignant portrayal. The old man's face bears traces of hardship and suffering, hinting at a life filled with struggles and challenges. His blindness adds another layer of vulnerability to his character, evoking empathy from viewers. Georges De La Tour's attention to detail is evident in every brushstroke; from the texture of the worn-out clothing to the play of light on his weathered skin. This composition not only highlights societal issues such as alcoholism and pauperism but also serves as a reminder that art has always been deeply intertwined with social commentary. "The old man also says the old man in the hat or the old man in fly" invites us to reflect upon our own humanity while appreciating De La Tour's mastery as an artist. It stands as a testament to both artistic excellence and historical significance within French art history.
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