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Native woman of Taio-Hae (or Taio Hae), in the archipelago of the Marquises

Native woman of Taio-Hae (or Taio Hae), in the archipelago of the Marquises


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Native woman of Taio-Hae (or Taio Hae), in the archipelago of the Marquises

LSE4330034 Native woman of Taio-Hae (or Taio Hae), in the archipelago of the Marquises, nonchalantly showing her tattooed legs, engraving after a drawing by A.Rixens illustrating the memories of the Pacific, in 1872-1874, by A.Pailhes, a ship sign, published in " Le tour du monde" 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection. by Rixens, Jean-Andre (1846-1924); Private Collection; (add.info.: Native woman of Taio-Hae (or Taio Hae), in the archipelago of the Marquises, nonchalantly showing her tattooed legs, engraving after a drawing by A.Rixens illustrating the memories of the Pacific, in 1872-1874, by A.Pailhes, a ship sign, published in " Le tour du monde" 1875, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.); Photo eLeonard de Selva; French, out of copyright

Media ID 22300886

© Leonard de Selva / Bridgeman Images

Coquetry French Polynesia Naked Woman Polynesia Seduction Tattoo


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EDITORS COMMENTS
This print captures the essence of a native woman from Taio-Hae, an enchanting village in the Marquesas archipelago. Taken in 1872-1874 by A. Rixens and engraved by A. Pailhes, this image is part of a collection that beautifully illustrates memories of the Pacific. The woman confidently showcases her tattooed legs with nonchalance, exuding both seduction and beauty. The engraving transports us back to a time when French Polynesia was untouched by modern influences. It offers a glimpse into the rich cultural heritage of Oceania, where body art held deep significance within indigenous communities. In this moment frozen in time, we witness the raw authenticity of village life as captured by Rixens' skilled hand. The woman's nakedness symbolizes freedom and connection to nature while simultaneously showcasing her coquetry. Published in "Le tour du monde" in 1875 under Edouard Charton's editorial guidance, this remarkable piece has stood the test of time. Preserved within Leonard de Selva's private collection, it serves as a testament to the enduring allure of historical documentation through visual arts. As we gaze upon this mesmerizing image today, we are reminded not only of its artistic value but also its importance as an anthropological record. It invites us to appreciate and respect diverse cultures while acknowledging their contributions to our collective human history.

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