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Angel of the Annunciation, Exterior panel of the triptych Portinari - oil on panel, c

Angel of the Annunciation, Exterior panel of the triptych Portinari - oil on panel, c


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Angel of the Annunciation, Exterior panel of the triptych Portinari - oil on panel, c

LRI4574879 Angel of the Annunciation, Exterior panel of the triptych Portinari - oil on panel, c.1475 by Goes, Hugo van der (c.1440-82); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Grisaille of the triptych Portinari: " Angel of the Annunciation" Exterior panel (Annunciation angel) - Painting by Hugo van der Goes (ca. 1435-1482) 1475 circa Florence Galleria degli Uffizi (Uffizi)); Luisa Ricciarini; Netherlandish, out of copyright

Media ID 23332296

© Luisa Ricciarini / Bridgeman Images

Annunciation Archangel Flemish Style Gabriel Archangel


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EDITORS COMMENTS
This print showcases the "Angel of the Annunciation" an exterior panel of the triptych Portinari, painted by Hugo van der Goes in 1475. The artwork is displayed at the Galleria degli Uffizi in Florence, Italy. The painting depicts a momentous biblical scene from the book of Luke, where Archangel Gabriel appears before Mary to announce that she will conceive and give birth to Jesus Christ. Van der Goes masterfully captures this divine encounter with his flemish style and attention to detail. In this grayscale rendition known as grisaille, every brushstroke seems deliberate and precise, enhancing the ethereal quality of both angelic figures. The delicate wings unfurled behind Gabriel symbolize his heavenly nature while he gently extends his hand towards Mary in a gesture of revelation. The artist's skillful use of light and shadow adds depth and dimension to each figure, emphasizing their otherworldly presence against a dark background. This striking contrast draws our eyes towards their expressive faces filled with awe and reverence. As we gaze upon this remarkable piece, we are reminded not only of its artistic brilliance but also its profound spiritual significance. It serves as a testament to van der Goes' ability to capture moments that transcend time and space through paint on panel – inviting us into a sacred narrative that has captivated believers for centuries.

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