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Unknown aizuri-e print, c. 1830 (woodcut)

Unknown aizuri-e print, c. 1830 (woodcut)


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Unknown aizuri-e print, c. 1830 (woodcut)

2563154 Unknown aizuri-e print, c.1830 (woodcut) by Kunisada, Utagawa (Toyokuni III) (1786-1865); 38x25.5 cm; Free Library of Philadelphia; eFree Library of Philadelphia; Print and Picture Collection, Free Library of Philadelphia; Japanese, out of copyright

Media ID 22260368

© Free Library of Philadelphia Print and Picture Collection, Free Library of Philadelphia / Bridgeman Images

East Asia East Asian Kimono Kimonos Ukiyo E


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EDITORS COMMENTS
This aizuri-e print from 1830 showcases the exquisite artistry of Kunisada, Utagawa (Toyokuni III). Measuring 38x25.5 cm, this woodcut print is housed in the esteemed Free Library of Philadelphia's Print and Picture Collection. The unknown subject depicted in this East Asian masterpiece emanates grace and elegance. Dressed in traditional Japanese attire, the woman's kimono drapes gracefully around her figure, adorned with intricate patterns that reflect the rich cultural heritage of Japan. Her serene expression captivates viewers as they are transported to a bygone era. The use of aizuri-e technique adds depth and texture to the artwork. This unique method involves using only shades of blue to create an enchanting monochromatic effect. The delicate brushstrokes and meticulous attention to detail further enhance the overall composition. As we gaze upon this enigmatic portrait, we are reminded of the timeless beauty found within Japanese ukiyo-e prints. These works were often created for mass consumption during Japan's Edo period but have since become highly sought-after pieces treasured by collectors worldwide. This particular piece allows us a glimpse into both history and culture through its portrayal of an elegant woman donning traditional dress. It serves as a testament to Kunisada's artistic prowess and his ability to capture not just physical likeness but also emotions and inner essence on paper. Intriguingly anonymous yet undeniably captivating, this unknown subject invites us into her

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