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Leaving for the Hunt on the Outskirts of London (oil on panel)

Leaving for the Hunt on the Outskirts of London (oil on panel)


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Leaving for the Hunt on the Outskirts of London (oil on panel)

XAL247285 Leaving for the Hunt on the Outskirts of London (oil on panel) by Griffier, Jan (c.1645-1718); Galleria Sabauda, Turin, Italy; (add.info.: Depart pour la chasse dans les environs de Londres; ); Dutch, out of copyright

Media ID 12770651

© www.bridgemanart.com

Carolingian Charles Ii Departure Hunters Huntsmen Landscaped Garden Panorama Preparation Preparing Restoration Stately Suburbs


Leaving for the Hunt on the Outskirts of London

EDITORS COMMENTS
captures a picturesque scene from centuries past. Painted by Jan Griffier, this oil on panel print showcases the timeless tradition of hunting in 17th and 18th century England. The artwork, housed at Galleria Sabauda in Turin, Italy, portrays a group of hunters and huntsmen preparing for their expedition. The composition offers a panoramic view of the landscaped gardens surrounding a stately English manor. Horses are being saddled while hunters gather their equipment, creating an atmosphere of anticipation and excitement. As they depart into the rural outskirts of London, one can almost feel the energy and camaraderie among these passionate individuals. Griffier's attention to detail is evident in every brushstroke. From the meticulously rendered horses to the lush greenery that envelops them, each element contributes to an immersive experience for viewers. This painting not only serves as a visual feast but also provides valuable insights into historical customs and social dynamics during Charles II's reign. With its restoration ensuring its longevity, "Leaving for the Hunt on the Outskirts of London" continues to captivate audiences today. It transports us back in time to an era when hunting was not just a sport but also an integral part of English culture. Through this artwork, we glimpse both nature's beauty and humanity's connection with it – forever preserved within Griffier's masterful strokes.

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