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Mardi-Gras, Boulevard des Italiens, 1831 (w/c, ink and pencil)
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Mardi-Gras, Boulevard des Italiens, 1831 (w/c, ink and pencil)
XIR173483 Mardi-Gras, Boulevard des Italiens, 1831 (w/c, ink and pencil) by Opitz, Georg Emanuel (1775-1841); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: By Georg Optiz)
Media ID 33089310
© Bridgeman Images
Audience Audiences Carnival Carnival Event Celebrating City Of Paris Comedia Dellarte Commedia Dell Arte Commedia Dellarte Commedia Dellarte Commedia Dell Arte Commedia Italiana Crowd Scene Festival Group Of Persons Harlequin Italian Comedy Parade Puppy Spectating Spectator Street Party Viewer Water Color Water Colour Watercolors Watercolour Paint 19e Siecle 19th Century Festivities
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EDITORS COMMENTS
This vibrant and lively print captures the essence of Mardi Gras on Boulevard des Italiens in 1831. Created by Georg Emanuel Opitz, a renowned artist of the 19th century, this artwork showcases his mastery of watercolor, ink, and pencil techniques. The scene is filled with an explosion of colors and movement as revelers take to the streets to celebrate Carnival. Harlequin, a beloved character from Commedia dell'arte, stands out amidst the crowd with his iconic diamond-patterned costume. His presence adds an element of playfulness and mischief to the festivities. Opitz's attention to detail is evident in every stroke; he skillfully portrays not only the human figures but also the majestic horses that are part of this grand spectacle. The energy emanating from this piece transports viewers back in time to experience firsthand the excitement and joy that permeated these celebrations. As we gaze upon this remarkable artwork, we are reminded of Italy's rich cultural heritage and its influence on European traditions. Mardi Gras has long been associated with extravagant parties and parades, where people come together to indulge before entering into a period of reflection during Lent. This print serves as a testament to Opitz's artistic prowess while offering us a glimpse into a bygone era filled with merriment and camaraderie. It invites us to appreciate both the beauty found within art itself and our shared human desire for celebration and connection.
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