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St. Jamess Street, 1878 (etching on paper) (see also 324691)

St. Jamess Street, 1878 (etching on paper) (see also 324691)


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St. Jamess Street, 1878 (etching on paper) (see also 324691)

FSG324690 St. Jamess Street, 1878 (etching on paper) (see also 324691) by Whistler, James Abbott McNeill (1834-1903); 27.5x15.2 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer; American, out of copyright

Media ID 22384358

© Freer Gallery of Art, Smithsonian Institution Gift of Charles Lang Freer / Bridgeman Images

Carriages Mayfair Pedestrians Traffic


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EDITORS COMMENTS
This black and white etching on paper, titled "St. James's Street, 1878" transports us back to the bustling streets of Victorian London. The renowned artist, James Abbott McNeill Whistler, skillfully captures the essence of this vibrant scene with his meticulous attention to detail. As we gaze upon this print, our eyes are immediately drawn to the elegant carriages gracefully gliding through the street. Their sleek designs and majestic horses evoke a sense of grandeur and sophistication that was characteristic of Mayfair during this era. Amidst the flowing traffic, pedestrians in their fashionable attire can be seen strolling along the sidewalk. They add a human touch to the composition, reminding us that life was thriving even amidst all the hustle and bustle. The perspective chosen by Whistler is particularly intriguing as it allows us to look downhill towards St. James's Palace in the distance. This unique vantage point adds depth and dimension to the artwork while also highlighting some architectural gems lining both sides of St. James's Street. Through his masterful engraving technique, Whistler brings every intricate detail of this historic street scene to life. From each brick on buildings' facades to every stroke defining shadows and textures - it is evident that he poured his heart into creating this masterpiece. Displayed at Freer Gallery of Art in Smithsonian Institution USA since its acquisition by Charles Lang Freer as a gift; this remarkable piece serves as a testament not only to Whistler's artistic genius

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