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January: wood-cutters in a winter landscape (chalk, pen & ink on paper)
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January: wood-cutters in a winter landscape (chalk, pen & ink on paper)
954927 January: wood-cutters in a winter landscape (chalk, pen & ink on paper) by Brill or Bril, Paul (1554-1626); 19.8x33.2 cm; Private Collection; Photo eAgnew s, London; Flemish, out of copyright
Media ID 22745984
© Agnew's, London / Bridgeman Images
16th 17th Chopping Cutting Wood Deforestation Environmental January Labourers Logger Loggers Logging Rustic Wintry Wood Cutter Wood Cutting Woodcutter Woodcutters Woodcutting Wood Cutters
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EDITORS COMMENTS
This print, titled "January: wood-cutters in a winter landscape" transports us to a bygone era where laborers toiled amidst the wintry countryside. Created by Brill or Bril, Paul in the 16th or 17th century, this artwork captures the essence of rural life during that time. The scene depicts hardworking wood-cutters diligently chopping timber against a backdrop of snow-covered fields and leafless trees. The artist's skillful use of chalk, pen & ink on paper brings forth the rustic charm and raw beauty of this laborious task. As we gaze at this image, we are reminded of the environmental impact caused by deforestation and logging industries throughout history. The significance lies not only in showcasing these workers' dedication but also in raising awareness about our responsibility towards preserving nature. Measuring 19.8x33.2 cm, this private collection photograph from eAgnew s London allows us to appreciate every intricate detail within the artwork. It is an exquisite example of baroque artistry that captures both the harshness and serenity found within winter landscapes. "January: wood-cutters in a winter landscape" serves as a timeless reminder of human perseverance amidst challenging conditions while highlighting our interconnectedness with nature's resources. This print from Bridgeman Images invites us to reflect upon our relationship with the environment and recognize its intrinsic value beyond mere commercial use.
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