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The Modern Job! Or John Bull and his Comforts!, pub. 1816 (hand coloured engraving)
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The Modern Job! Or John Bull and his Comforts!, pub. 1816 (hand coloured engraving)
2490496 The Modern Job! Or John Bull and his Comforts!, pub. 1816 (hand coloured engraving) by English School, (19th century); Private Collection; (add.info.: Prince Regent, later George IV (1762-1830); Robert Banks Jenkinson, Lord Liverpool (1770-1828); Sir William McMahon (1776-1837); George Canning (1770-1827); Henry Addington, Viscount Sidmouth (1757-1844); Edward Law, Baron Ellenborough (1750-1818); Frederick Augustus, Duke of York (1763 -1827); Edward Augustus, Duke of Kent (1767-1820); William Henry, Duke of Cambridge, later William IV (1765-1837); ); The Stapleton Collection; English, out of copyright
Media ID 23449018
© The Stapleton Collection / Bridgeman Images
Crutches Gentlemen Gout John Bull King George Iv Political Satire Prince Regent Rags Tailcoat Tatters
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The Modern Job! Or John Bull and his Comforts!
EDITORS COMMENTS
is a captivating hand-coloured engraving from 1816 that offers a satirical glimpse into the political landscape of 19th century England. The print showcases an array of influential figures, including Prince Regent George IV, Lord Liverpool, and other prominent politicians. In this whimsical depiction, we see these men adorned in their elegant tailcoats and red books, symbolizing their power and authority. However, beneath their dignified appearances lies a comical twist – gouty legs supported by crutches. This clever portrayal highlights the prevalence of gout among the upper class during this era. The artist's use of caricature adds another layer to the satire as it exaggerates certain features such as bulging bellies or ragged clothing. These visual cues serve as commentary on societal issues like wealth disparity and political corruption. "John Bull" representing the British people, stands amidst this scene with tattered clothes but an air of resilience. He observes these powerful men who are meant to represent his interests but seem more concerned with personal comforts than addressing pressing matters affecting society. This engraving serves as both entertainment and social critique, inviting viewers to reflect on the state of affairs in early 19th century Britain. It reminds us that even those in positions of power can be subject to ridicule when they prioritize self-interest over public welfare.
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