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Le Calvaire. (Scene de la Crucifixion). Sur les cotes, representation du bon larron (aussi appele Saint Dismas (ou Dysmas, Dimas, Dumas) et du mauvais larron (Gesmas ou Gestas), deux voleurs crucifies avec Jesus Christ
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Le Calvaire. (Scene de la Crucifixion). Sur les cotes, representation du bon larron (aussi appele Saint Dismas (ou Dysmas, Dimas, Dumas) et du mauvais larron (Gesmas ou Gestas), deux voleurs crucifies avec Jesus Christ
FIA5372200 Le Calvaire. (Scene de la Crucifixion). Sur les cotes, representation du bon larron (aussi appele Saint Dismas (ou Dysmas, Dimas, Dumas) et du mauvais larron (Gesmas ou Gestas), deux voleurs crucifies avec Jesus Christ. Peinture de Yuri Ilyich Repin (Youri Repine) (1877-1954), huile sur toile, 1920-1930. I. Repin Memorial Museum Penates, Saint Peterebourg by Repin, Ilya Efimovich (1844-1930); Penates I.Repin Memorial Museum, St Peterburg, Russia; Photo © Fine Art Images
Media ID 28012694
© Fine Art Images / Bridgeman Images
Apostles Aureola Blond Hair Blood Catholic Cross Crucifixion Evangelist Hebrew Alphabet Ilya Repin Ilya Yefimovich Repin Ladder Loneliness Lonely Passion Repin Ilya 1844 1930 Saint John Wayside Cross Apostle Bible Story Biblical Events Biblical Scene Blessed Virgin
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This print showcases the painting "Le Calvaire" by Yuri Ilyich Repin, depicting the scene of the Crucifixion. The artwork portrays Jesus Christ being crucified alongside two thieves, known as the good thief (also called Saint Dismas) and the bad thief (Gesmas or Gestas). Painted with oil on canvas between 1920-1930, this masterpiece is housed in the Penates I. Repin Memorial Museum in St. Petersburg. The image captures a moment of intense emotion and religious significance. The cross stands tall amidst a backdrop of vivid colors, symbolizing both suffering and redemption. The artist's attention to detail is evident in every brushstroke, from the flowing blond hair of Jesus to the intricate Hebrew alphabet inscribed on his cross. The composition also includes other biblical figures such as Saint John and the Blessed Virgin Mary, adding depth to this powerful portrayal of faith. A ladder leans against one side of the cross while a wayside cross adorns another side, further emphasizing its central role in Christianity. Repin's mastery lies not only in his technical skill but also in his ability to convey profound loneliness and isolation through his subjects' expressions. This evokes empathy from viewers who are drawn into contemplating their own spiritual journeys. As we admire this remarkable piece from early 20th-century Russia, it serves as a reminder of art's ability to transcend time and culture while inspiring contemplation about life's most profound questions.
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