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Early Netherlandish Art : The Cook (Christ in the House of Martha and Mary
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Early Netherlandish Art : The Cook (Christ in the House of Martha and Mary
FIA5406287 Early Netherlandish Art : The Cook (Christ in the House of Martha and Mary) par Beuckelaer (Bueckelaer), Joachim (ca. 1533-1574), 1574. Oil on wood, 112, 3x81, 3. Art History Museum, Vienne by Beuckelaer or Bueckelaer, Joachim (c.1530-73); Kunsthistorisches Museum, Vienna, Austria; Photo eFine Art Images; Netherlandish, out of copyright
Media ID 22268618
© Fine Art Images / Bridgeman Images
Citrus Food And Drink Hospitality Lemon Meat Pitcher Saint Martha Belgium Belgian Dine Flemish Art
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This print showcases the exquisite Early Netherlandish Art piece titled "The Cook (Christ in the House of Martha and Mary)" by Joachim Beuckelaer. Painted in 1574, this oil on wood masterpiece measures an impressive 112.3x81.3 centimeters and is currently housed at the Art History Museum in Vienna. Beuckelaer's attention to detail is evident as he skillfully captures a biblical scene from the New Testament where Jesus Christ visits the house of Martha and Mary. The painting beautifully depicts a woman diligently cooking while other characters engage in various activities around her. The artist's mastery extends beyond religious symbolism, incorporating elements of botany, natural history, and wildlife into his work. Fruits, fish, animals, and even a pitcher filled with lemons are meticulously rendered to create a sense of realism that captivates viewers. "The Cook" not only serves as a visual feast for art enthusiasts but also offers insights into Flemish culture during the Renaissance period. It reflects Belgium's rich artistic heritage while highlighting themes of hospitality and Christian devotion. Through this remarkable artwork captured by Bridgeman Images' lens, we are transported back to 16th-century Europe where art was used as a medium to explore religious narratives intertwined with everyday life experiences such as dining and cooking. This print invites us to appreciate both the technical brilliance of Beuckelaer's brushwork and its profound spiritual significance within early Netherlandish art tradition.
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