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Stupefaction, Compression and Suffocation, First Impressions at the Paris Universal
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Stupefaction, Compression and Suffocation, First Impressions at the Paris Universal
XJF741264 Stupefaction, Compression and Suffocation, First Impressions at the Paris Universal Exhibition, cartoon from the Exposition Universelle series, published in Le Charivari, 24 May, 1855 (litho) by Daumier, Honore (1808-79); Private Collection; (add.info.: The World Exhibition took place in Paris from May 15 to November 15, 1855. It attracted thousands of visitors from the provinces and from abroad.); French, out of copyright
Media ID 12934231
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Exposition Universelle Problems Second Empire Universal Exhibition Social History
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The print titled "Stupefaction, Compression and Suffocation, First Impressions at the Paris Universal Exhibition" captures the essence of chaos and overwhelming crowds during this historic event. Published in Le Charivari on May 24,1855, this cartoon by Honore Daumier offers a satirical commentary on the social impact of the exhibition. As visitors from all corners of France and beyond flocked to witness the wonders showcased at the Paris Universal Exhibition, they were met with an unexpected reality. The image portrays a scene filled with stupefied men and suffocated women struggling amidst immense compression. It humorously reflects their initial impressions as they grapple with overcrowding and lack of personal space. This lithograph serves as both a critique and celebration of human curiosity. While it highlights the problems caused by such massive gatherings, it also acknowledges our innate desire for exploration and discovery. Daumier's artistic genius lies in his ability to capture these conflicting emotions within a single frame. The Paris Universal Exhibition held great significance during its time, attracting thousands who sought to marvel at technological advancements, cultural exhibits, and international collaborations. This artwork reminds us that even monumental events can have unintended consequences. Today, this print serves as a valuable historical artifact offering insights into societal attitudes towards progress in mid-19th century France. It invites viewers to reflect upon how we navigate similar experiences today – finding ourselves simultaneously fascinated by innovation while grappling with its repercussions on our daily lives.
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