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Illustration by Pierre Nicolas Marcel Lecoultre (1867-1942) in Le Pelerin, 19 / 10 / 30 - The two listed - Religion Faith, Atheism, Metallic Architecture, Vatican, Materialism, Catholic Catholicism - Oppposition / Association

Illustration by Pierre Nicolas Marcel Lecoultre (1867-1942) in Le Pelerin, 19  /  10  /  30 - The two listed - Religion Faith, Atheism, Metallic Architecture, Vatican, Materialism, Catholic Catholicism - Oppposition  /  Association


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Illustration by Pierre Nicolas Marcel Lecoultre (1867-1942) in Le Pelerin, 19 / 10 / 30 - The two listed - Religion Faith, Atheism, Metallic Architecture, Vatican, Materialism, Catholic Catholicism - Oppposition / Association

ICA4936596 Illustration by Pierre Nicolas Marcel Lecoultre (1867-1942) in Le Pelerin, 19/10/30 - The two listed - Religion Faith, Atheism, Metallic Architecture, Vatican, Materialism, Catholic Catholicism - Oppposition/Association by Lecoultre, Marcel (1867-1942); (add.info.: Illustration by Pierre Nicolas Marcel Lecoultre (1867-1942) in Le Pelerin, 19/10/30 - The two listed - Religion Faith, Atheism, Metallic Architecture, Vatican, Materialism, Catholic Catholicism - Oppposition/Association); Photo © Caricadoc

Media ID 25170176

© Caricadoc / Bridgeman Images

Explosion Opposition Urban Planning Vatican Caricadoc Journalism


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EDITORS COMMENTS
This print captures an illustration by Pierre Nicolas Marcel Lecoultre, a renowned artist from the late 19th and early 20th century. Published in Le Pelerin on October 19,1930, this thought-provoking artwork explores the contrasting themes of religion, faith, atheism, metallic architecture, Vatican influence, materialism, and Catholicism. The image depicts a powerful explosion that serves as an allegory for the opposition and association between these various concepts. The destruction of a building symbolizes the clash between different ideologies and belief systems within society. Lecoultre's intricate engraving showcases his exceptional talent in capturing complex ideas through visual storytelling. The French artist's work often delved into urban planning and architectural motifs to explore deeper societal issues. In this particular piece, he presents a view of a city engulfed in chaos while incorporating elements such as press symbols and religious imagery associated with the Vatican. This juxtaposition invites viewers to reflect on the impact of religion versus materialistic values in shaping our world. With its vibrant colors and meticulous attention to detail, this artwork is not only visually striking but also prompts contemplation about humanity's ongoing struggle with opposing ideologies throughout history. Bridgeman Images has preserved this remarkable piece from Lecoultre's body of work for future generations to appreciate its historical significance within European art movements during the twentieth century.

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Related Images


Saint Francois-de-Sales (Saint Francois de Sales) (1567-1622), eveque of Geneva and patron of journalists during his evangelization of Chablais, crosses the Dranse on an ice board - Drawing by Lecoultre in "Le Pelerin"
Saint Francois-de-Sales (Saint Francois de Sales) (1567-1622), eveque of Geneva and patron of journalists during his evangelization of Chablais, crosses the Dranse on an ice board - Drawing by Lecoultre in "Le Pelerin"
public audience at the time of the Directoire regime in 1795 in France, engraving by Chataignier - "Un audience publique du Directoire (1795-1798)"
public audience at the time of the Directoire regime in 1795 in France, engraving by Chataignier - "Un audience publique du Directoire (1795-1798)"
Pope John XXII (John XII) (Popes of Avignon) handed over to the Dominicans the canonization bubble of St. Thomas Aquinas (Thomas Aquinas) on July 18, 1323 in Avignon. Drawing by Lecoultre for the pelerin of 1923
Pope John XXII (John XII) (Popes of Avignon) handed over to the Dominicans the canonization bubble of St. Thomas Aquinas (Thomas Aquinas) on July 18, 1323 in Avignon. Drawing by Lecoultre for the pelerin of 1923

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