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Westerner and a goat (colour woodblock print)
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Westerner and a goat (colour woodblock print)
880728 Westerner and a goat (colour woodblock print) by Jiho, Mori (fl.c.1854-59); 18.4x24.8 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Mr. and Mrs. Samuel H. Maslon; Japanese, out of copyright
Media ID 22232572
© Minneapolis Institute of Art Gift of Mr. and Mrs. Samuel H. Maslon / Bridgeman Images
Calligraphy East Asia East Asian Goat Goats Umbrella Umbrellas Westerner Westerners
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EDITORS COMMENTS
This colour woodblock print, titled "Westerner and a goat" is a mesmerizing piece of art created by Jiho, Mori during his active years between 1854-59. The print measures 18.4x24.8 cm and is housed in the prestigious Minneapolis Institute of Arts in Minnesota, USA. The image depicts an intriguing encounter between a Westerner and a goat set against an East Asian backdrop. The composition beautifully captures the cultural exchange as the two figures interact under umbrellas amidst lush surroundings. The delicate details showcase Jiho's mastery of woodblock printing techniques. The presence of calligraphy adds another layer to this artwork, showcasing the fusion of artistic traditions from both Japan and the West. It symbolizes communication beyond language barriers, bridging cultures through visual expression. The goat itself becomes more than just an animal; it represents curiosity and exploration as it engages with its human counterpart. This interaction highlights the universal connection that transcends geographical boundaries. As we delve into this remarkable piece, we are reminded of how art can serve as a powerful medium for cross-cultural understanding and appreciation. Through Jiho's skilful craftsmanship, he invites us to contemplate our shared humanity while celebrating diversity. This particular print holds historical significance as it offers insight into Japan's artistic evolution during Mori's era while also reflecting on broader themes such as identity and intercultural dialogue. Its inclusion in the collection at Minneapolis Institute of Arts serves as a testament to its enduring relevance within contemporary discourse on global art
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