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Traffic in Paris, France, in the 19th century, circa 1830 (engraving)

Traffic in Paris, France, in the 19th century, circa 1830 (engraving)


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Traffic in Paris, France, in the 19th century, circa 1830 (engraving)

PCT4295064 Traffic in Paris, France, in the 19th century, circa 1830 (engraving) by French School, (19th century); (add.info.: carriages, carriages and pedestrians in the middle of a large tree-lined allee on the Boulevard des Italiens - walkers, riders, horses, watering the shoes -); ePatrice Cartier; French, out of copyright

Media ID 23625770

© Patrice Cartier / Bridgeman Images

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> Fine Art Finder > Artists > Hippolyte (1797-1856) Delaroche


EDITORS COMMENTS
This engraving captures the bustling streets of Paris in the 19th century, circa 1830. The image showcases a vibrant scene on the Boulevard des Italiens, with carriages and pedestrians filling the tree-lined allee. A snapshot of daily life unfolds before our eyes as walkers, riders, and horses navigate through the busy thoroughfare. The print offers a glimpse into an era when transportation was still predominantly horse-drawn. Carriages elegantly traverse the street while pedestrians go about their business amidst this lively spectacle. One can almost hear the clip-clop of hooves and feel the energy emanating from this dynamic cityscape. The artist's attention to detail is evident in every stroke of this exquisite engraving. From ornate architectural facades to meticulously rendered figures, each element contributes to a vivid portrayal of Parisian life during this period. As we gaze at this historical gem by Patrice Cartier, we are transported back in time to witness a moment frozen forever within its intricate lines. This artwork serves as both a testament to human progress and a reminder that some things remain timeless – like traffic-filled streets that have always been an integral part of urban existence. With its rich history and undeniable charm, it's no wonder why Paris continues to captivate hearts around the world even centuries later.

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