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King Melchior, one of the Three Magi, Pointing at the Star, c. 1480-90
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King Melchior, one of the Three Magi, Pointing at the Star, c. 1480-90
3704086 King Melchior, one of the Three Magi, Pointing at the Star, c. 1480-90 by Netherlandish School, (15th century); 24.1x19.1 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Melchior can be identified from his age, his long black hair and beard, and the gilt goblet in his right hand. He points up at the star that was probably above the stable.
With XOS 3704085 (Balthazar) originally part of an Adoration of the Magi. ); Netherlandish, out of copyright
Media ID 23647452
© Bridgeman Images
3 Kings Adoration Altarpiece Bethlehem Birth Birth Of Christ Gifts Gospels Magi Melchior Nativity Netherlandish Panel Pointing Sign Star Three Kings Wise Men Northern Renaissance
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EDITORS COMMENTS
This print depicts King Melchior, one of the Three Magi, pointing at the star in awe and reverence. Created by the Netherlandish School during the 15th century, this artwork measures 24.1x19.1 cm and is housed in the prestigious Rijksmuseum in Amsterdam, The Netherlands. King Melchior can be easily identified through his age, long black hair and beard, as well as the gilt goblet he holds in his right hand. With a gaze fixed upwards towards the heavens, he points directly at the star that likely guided their journey to find baby Jesus. The scene portrayed here is believed to have taken place above a stable where Jesus was born. This panel painting beautifully captures a moment from the biblical story of Christ's birth and emphasizes Melchior's role as one of three wise men who traveled from afar to offer gifts. The intricate details on this wooden altarpiece showcase elements of Northern Renaissance artistry with its meticulous landscape and religious symbolism. As an important figure within Christianity, King Melchior represents devotion and worship towards Jesus Christ. This print not only serves as a reminder of biblical events but also highlights significant themes such as faith, journeying towards enlightenment, and recognizing divine signs. It stands as a testament to both religious significance and artistic mastery within Renaissance painting.
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